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As it has for the last 10 years, The">http://www.fatwyre.com/">The Cable Company, along with many of its vendors, is dedicating August to help some of "the poorest people in the most ravaged regions of the world."

As it has for the last 11 years, The">http://www.thecableco.com/">The Cable Company, along with many of its vendors, is dedicating August to help some of "the poorest people in the most ravaged regions of the world."

The California Audio Show returns to the Crowne Plaza Hotel in Burlingame August 3–5. Produced by Constantine Soo's dagogo.com, and sponsored by Stereophile, The Absolute Sound, Wired.com, Audiophilevoice.com, AVshowrooms.com, and San Francisco Classical Voice (SFCV.org), Northern California's only show aimed at audiophile consumers promises 36 exhibit rooms stocked with equipment from at least 100 manufacturers.

The Chicago Symphony Orchestra has taken its first giant steps into the digital domain. Hard on the heels of launching the orchestra's new in-house CD label, CSO Resound, it has announced a partnership with digital distributor IODA that will make CSO Resound recordings available for download via iTunes, Yahoo! Music, Rhapsody, Napster, Verizon, Sprint, and other online retailers.

Like the proverbial camel who took over the tent after getting just his nose in, it appears that once copy protection is given an inch, it will inevitably try to get in all the way. At least that's how it appears with an increasing variety of CD copy protection systems now currently being tested en masse by the major record labels. Latest to announce a new "evaluation agreement" is BMG Entertainment, which will use and evaluate SunnComm's MediaCloQ "digital content cloaking technology", first put to the test earlier in the year on a Charley Pride CD (see">http://www.stereophile.com/news/11004/">see previous).

Savvy music fans willing to ignore the built-in copying restrictions on consumer-targeted CD recorders have always had their computer-based CD and DVD recorders and hard drives to play with, especially when it comes to manipulating MP3 files. Maybe not for much longer. A new content-protection approach is attempting to tighten the digital noose around the necks of PC users who have spent the last few years virtually unencumbered when it comes to—as Apple so succinctly puts">http://www.apple.com/hardware/ads/ripmixburn.html">puts it—rip, mix, burn.

See update at end of article. iTunes continues to grow and Napster has been reborn, but these last few months have been a bumpy ride for MP3.comhttp://MP3.com">MP3.com;. The music site, known for its large online music library featuring unsigned independent artists, was purchased on December 14 by San Francisco-based CNEThttp://www.CNET.com">CNET;.