News

As expected, the Recording Industry Association of America held a press conference last week to announce the formation of the Secure Digital Music Initiative (SDMI) which hopes to develop internet downloading technologies for music. The move comes after a rough year for the music business who has seen thousands of unauthorized websites offer copyrighted material for free using the MP3 audio format.

Featuring Mytek's MQA-equipped Manhattan II D/A preamplifier-headphone amplifier on its cover, our new issue—132 pages of awesome—is jam-packed with good stuff. There are reviews of Ayre's QX-5 Twenty "digital hub," Kii's ground-breaking, DSP-optimized active speaker, amplifiers from Bel Canto and Octave, and preamplifiers from Shindo and Sutherland. Jim Austin interviews Pass Labs' onlie begetter, veteran engineer Nelson Pass. Robert Baird surveys audiophile-quality reissues of horror-film soundtracks. Mikey Fremer visits revitalized SME in the UK. And kicking it all off, Art Dudley condemns CD player manufacturers who neglect their customers in the long term.

The official launch of XM">www.xmradio.com">XM Satellite Radio was set for September 12. But within hours of the September 11 attack on New York and the Pentagon, XM announced that it would be postponing its debut, which was slated to take place in Washington DC at its headquarters and broadcast studio complex.

Loudspeaker designer and manufacturer Richard Vandersteen has heard enough: He is embarking on a crusade to right an egregious wrong he sees being perpetuated by the marketing scribes and salesfolk working in the consumer electronics business. Though he was miles away, at his company headquarters in Hanford, CA, his passion for spreading the audiophile word came through the telephone loud and clear.

On Tuesday, March 29, 2005, the US Supreme Court heard the oral arguments for the case of Metro-Goldwyn-Mayer Studios, Inc. v. Grokster, Ltd. This was widely covered in the mainstream news media, as well as all over the Web, but none of the synopses of the case did true justice to the give-and-take of the arguments, as I discovered this week when I stumbled upon a .pdf transcription of the complete oral arguments.

As we reportedhttp://www.stereophile.com/news/012907master/">reported; last January, The">http://www.tapeproject.com">The Tape Project, a collaboration among mastering engineers Paul Stubblebine and Michael Romanowski, both of Paul Stubblebine Mastering, and Dan Schmalle of Bottlehead, plans to release 10 master-quality tapes per year. The Tape Project's inaugural outing, available now, is The Number White by jazz vocalist Jaqui Naylor.

Back in the bad old pioneer days of high fidelity, the 1960s and early 1970s, amplifier manufacturers embarked on a specifications war, claiming ever lower percentages of total harmonic distortion. But, as J. Gordon Holt presciently pointed out in the 1960s, without reference to the spectrum of the distortion harmonics, the actual percentage was not in itself a reliable indicator of an amplifier's sound quality. And as those early low-THD models had distortion spectra that were heavily biased toward the sonically objectionable fifth, seventh, and ninth harmonics, and suffered from other related ills, they tended to sound quite nasty.