Blu-ray Edge?
We all know by now the perils of proclaiming a winner before all of the votes have been cast, but with the possible future of high-resolution audio and video data storage at stake, the temptation to call it early is great.
Blu-ray the Winner
Sony has triumphed once again. The company that has until now held control of the dominant audio format, "Red Book" CD, and the dominant high-resolution audio format, SACD, will now dominate high-resolution video as well with its Blu-ray technology.
Blue Circle Audio Goes Green
Blue">http://www.bluecircle.com">Blue Circle Audio, the Ontario-based company that has championed the use of "no frills" packaging and solar powered devices, recently issued the latest addition to its line of minimal cosmetics audiophile products. The BC301FY">http://www.bluecircle.com/index.php?page_id=9573">BC301FY preamplifier, which looks nothing like other companies' products, dispenses with the standard aluminum or steel box, engraved logo, designer controls, and other cosmetic frills. Housed in nine ABS cans—a type of heavy-duty plastic commonly encountered in drainage and sewer piping—its packaging is said to reduce consumer cost by over 40%.
Blue Man Group in 5.1
From its origins as an obscure off-Broadway novelty act, Blue">http://www.blueman.com">Blue Man Group has grown to monster proportions, with authorized spinoffs performing in major cities throughout the world. The group is a permanent attraction in Las Vegas.
Blue Man Group Says It Can't Fit into Stereo
One of the challenging attributes of the new DVD-Audio format is the ability to release music in high-resolution multichannel (four or more) sound. For some this will be a thorny issue: Can previously released recordings be remixed to take advantage of the extra channels without sounding gimmicky? Should classical and/or live recordings use the surround channels for concert-hall ambience? How long will it be until consumers even care about setting up their systems to take advantage of more than two full-bandwidth channels?
BluePort Jazz and Hyperion in Lossless FLAC
BluePort Jazz's catalog of 15 titles, recorded in jazz clubs and studios by Jim Merod, is now downloadable in lossless FLAC format from the House">http://www.houseoflinn.com">House of Linn website. Merod—a PhD professor, an author of numerous books, a music critic for Enjoy the Music.com, and an equipment reviewer for Positive Feedback Online—is known for recording with as few microphones as possible and mixing everything live to two tracks in high-resolution (24-bit/96kHz) PCM format.
Bluesman Jimmie Lee Robinson Passes Away
I never "got" the spurs with which Jimmie Lee Robinson provided a percussive accompaniment to his singing and guitar playing, but I became a fan of Jimmie Lee's when I saw him perform on two successive nights at Acoustic">http://www.acousticsounds.com">Acoustic Sounds' first blues festival in Salina, Kansas in September 1998. His subsequent live appearances at Consumer Electronics Shows and at HI-FI '99, Home Entertainment 2001, and HE2002 on behalf of Acoustic Sounds' associated APO">http://www.analogueproductions.com">APO label, were highlights of those events. (I took the accompanying photo at Jimmie Lee's May 31 HE2002http://www.homeentertainment-expo.com">HE2002; gig in New York with harmonica player Wild Child Butler.)
Blumenthal's First Two Listener's Guides Now Available
Author and television producer Howard J. Blumenthal has completed his Jazz and World Music CD Listener's Guides, the first two volumes in a four-volume series. The publications include brief biographies of the top artists in each genre, arranged alphabetically, and hundreds of short reviews of the discs the author considers essential.
BMG and Concord to merge
Tom Fine reports on the impending merger between BMG Rights Management GmbH, a subsidiary of Bertelsmann Group, and Concord Music Group.
BMG Joins the Digital Download Club
Last week, BMG">http://www.bmgentertainment.com/">BMG Entertainment, the music and entertainment division of Bertelsmann">http://www.bertelsmann.de/">Bertelsmann AG, revealed that it will join several other major labels (see previous stories EMIhttp://www.stereophile.com/news/10798/">EMI; and Universalhttp://www.stereophile.com/news/10814/">Universal;) by bringing its own digital downloads to the Internet this September. The company says that it will start with approximately 50 songs and 50 complete albums, to be made available via several retail Web outlets at prices ranging from $1.98 to $3.49 per song and from $9.98 to $16.98 per album.