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In what is intended to have the biggest impact yet on the thriving "rip, mix, burn" lifestyle, Macrovisionhttp://www.macrovision.com">Macrovision; has revealed that several record labels have been secretly putting its copy protection system onto new CD releases since around March of this year (see previous">http://www.stereophile.com/news/10985/">previous report). The process, called SafeAudio, is a Macrovision registered trademark and is intended to prevent the copying of CDs, or tracks from CDs, onto CD-R discs and computer hard drives. The technology was developed jointly by Macrovision and TTR">http://www.ttrtech.com">TTR Technologies.

On November 22, the Librarian of Congress issued a—take a deep breath— declaration">http://www.copyright.gov/1201/">declaration of exemption from the prohibition against circumvention of technological measures that control access to copyrighted works. In other words, the LOC decreed that six classes of "non-infringing rights" were exempt from the Digital Millennium Copyright Act (DMCA), which criminalized "production and dissemination of technology whose primary purpose is to circumvent measures taken to protect copyright."

It seems that all of the forces in the music industry have lately been conspiring against the music lover and audiophile. The record labels and their hired gun, the Recording Industry Association of America (RIAA), have so far blocked digital outputs on high-resolution audio players, insisted that watermarks be inserted into both high- and low-resolution audio data, and have even started to restricthttp://www.stereophile.com/news/11178/">restrict; consumer's fair use of compact discs and digital downloads.

The National">http://www.nab.org">National Association of Broadcasters has lost a round in its fight to avoid paying royalties for music streamed over the Internet.

Audio magazine has appeared to have been in difficulties of late, with falling circulation, advertising revenues, and issue size. The current editor-in-chief, Michael Riggs, has worked hard in the past few years to create a more appealing editorial product, since he replaced long-term editor Gene Pitts. However, an even bigger change is now taking place.

Peter Zylberberg of Audio Excellence in Yorkville, Toronto sends along the following warning:

The entertainment industry is pondering its next move in the wake of a legal setback delivered Thursday, August 19. On that day, a Federal appeals court in San Francisco upheld a ruling by a lower court in Los Angeles that file-sharing software made by Grokster Ltd. and StreamCast Networks, Inc. does not violate US copyright law. The three-judge panel voted unanimously in favor of the defendants.