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If They Build the Chips Will the Universal Players Come?

With the proliferation of audio and video formats based on the 5.25" disc (CD, DVD-Audio, SACD, CD-R, CD-V, DVD, etc), buying a universal player that can decode anything thrown at it is many a consumer's Holy Grail. But to date, the vast majority of manufacturers (Pioneer being a notable exception) have been taking sides, choosing to exclude either SACD or DVD-Audio playback from their machines.

If You Build It, They Will Come . . .

We're still waiting to see even one official US release of DVD-Audio software, but reports are trickling in that the recording industry is nonetheless planning for the multichannel high-resolution audio landscape. The latest bit of news comes from mastering facility Future">http://www.futurediscsystems.com">Future Disc Systems, which announced last week that it is now mastering DVD-Audio projects, and will soon be ready for high-resolution surround sound.

Imbruglia Imbroglio

Record label attempts at restricting the potential uses of their CDs have hit another bump in the antipiracy road. Music label BMG had announced earlier this year that it would try to find ways to restrict its CDs, in an effort to stem piracy and the trading of MP3 files. But those plans appear to have backfired, so far.

Immersive Audio at National Sawdust

In September 2019, I made an afternoon visit to National Sawdust, a vibrant, innovative performance space in Williamsburg, Brooklyn, to attend a demonstration of the new Constellation and Spacemap systems installed there by Meyer Sound. According to Meyer Sound designer Steve Ellison, the two systems permit control of the space's acoustics (Constellation) and empower performers and sound designers to construct a soundscape (Spacemap) in which voices, instruments, and other sounds can be located virtually anywhere within as well as beyond the confines of the performance space.

Improved Digital Audio Schemes Debut

First, the sobering reality: Among the world's billions of music lovers, probably a million or fewer are true audiophiles, for whom sound quality is a primary concern. The uncritical majority will embrace any audio technology that offers economy and convenience. Case in point: the popularity of the MP3 digital format, widely derided by audiophiles for its compressed dynamics and lack of detail, but adopted readily by the general public because of its ease of use.

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