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We all know the refrain. Classical music is losing its audience. With shorter attention spans, the ascent of the iPod, a penchant for music (and spoken word masquerading as music) in the background, and the submergence of audio by home theater, fewer and fewer people in the United States are being exposed to art music of the past and present.

Last Thursday, Virgin">http://www.virgin.com/">Virgin Entertainment Group announced an agreement with RedDotNethttp://www.reddotnet.com/">RedDotNet;, a Digital on Demand company, that Virgin says will allow its customers to download music and create custom CDs, DVDs, and MiniDiscs in-store. Virgin describes the deal as "a revolutionary development heralding a new wave of music retailing." As part of the agreement, Virgin will become a shareholder in Digital on Demand, RedDotNet's parent company.

First with CD players, then digital preamps, and recently amplifiers, digital technology has ground inexorably through the audio chain. Several companies have been developing ways to shorten the analog path or remove it entirely. Meridian's">http://www.meridian.co.uk/">Meridian's "digital" loudspeakers come to mind, as well as the amplifiers from manufacturers Spectronhttp://www.spectronav.com">Spectron; and TacThttp://www.tactaudio.com">TacT;.

Last week, Cirrus">http://www.cirrus.com">Cirrus Logic unveiled two new Crystal digital-to-analog converters that the company says will support both dueling high-definition audio standards: DVD-Audio and Super Audio CD (SACD). As a result, the new DACs should enable the creation of universal DVD players for both the mass and high-end audio markets. The new DACs are the CS4397 "SuperDAC," which the company describes as a "high-performance audio DAC on a single chip" with 120dB dynamic range performance; and the CS4391, a lower-cost DAC also supporting DVD-Audio and SACD and sporting a 108dB dynamic range.

Although the CD was successfully released into the music industry gene pool 20 years ago, several companies are still tinkering with its DNA in order to assist record labels in restricting how consumers use their discs.

MBL's mighty N31 CD player-DAC is featured on the new issue's cover and gets an in-depth review from John Atkinson inside, but February is also our annual "Records 2 Die 4" feature: Our team of writers put their heads together and came up with 61 albums that they will take with them when they go.

"The Record Player Reborn" declare the new issue's cover, referring to reviews of LP players from Oracle, Acoustic Signature, and VPI. But digital isn't forgotten, with John Atkinson raving about about Chord's new $599 portable DAC, Larry Greenhill upgrading his Bryston BDP-2 file player with a new soundboard, and Digital Audio Review's John Darkø kicking off the issue with a guest editorial on the boom in personal listening in Japan. And topping it all off is our annual "Records to Die For" listing: 56 albums every audiophile should have in their collection.

We loved this analog-based setup in one of retailer Filtronique Son-or's rooms at Montreal Audiofest 2026—not too complicated setup-wise but packing a powerful sonic punch that defied analysis because it was so well-blended, coherent, and right-sounding.

Technics’ little gem of a speaker, the two-way SB-C700, signifies both the Japanese brand’s return to the high-performance audio scene and the start of Stereophile’s 54th year of continuous publication. Paradigm’s Prestige 95F tower speaker also gets the full review treatment, along with an idiosyncratic two-box CD player from the UK’s Audio Note, BAT’s cost-no-object Rex II tube preamplifier, and Apogee’s affordable but great-sounding Groove D/A headphone amplifier.

Vitus Audio, now in its 27th year, introduced its forthcoming entry-level RD-101 Mk.II DAC/Streamer ($15,000, release date TBD) at Munich High End. The unit sports a redesigned streaming module—the old one is obsolete—a newly optimized power supply, and significant noise reduction. There's also a new DAC chip, the ESS9038 Pro, which replaces the 9028 Pro.