The Show at Lyric HiFi
Saturday–Sunday, April 14–15, 10am–5pm: Lyric HiFi (1221 Lexington Avenue, New York, NY) invites audiophiles to listen to an assortment of systems, interact with representatives from brands such as McIntosh, Focal, and Audio Research, and qualify to purchase demo units at 20% off, all part of The Show at Lyric HiFi.
The Show Must Go On
The official launch of XM">www.xmradio.com">XM Satellite Radio was set for September 12. But within hours of the September 11 attack on New York and the Pentagon, XM announced that it would be postponing its debut, which was slated to take place in Washington DC at its headquarters and broadcast studio complex.
THE Show of Shows Starts Friday
The countdown to the start of THE Show Newport in Orange Country, California has begun. The largest three-day consumer audio show in America kicks off for the public on Friday, May 29 in the newly remodeled Hotel Irvine, with an optional trade day for press and invited guests the afternoon/eve before. With every exhibit space sold out, THE Show Newport promises to keep audiophiles busy with 406 exhibitors holding forth in 150 hotel rooms (including 10 larger suites), up to 25 larger rooms, 80 booths in a 6000 sq. ft. Headphonium Pavilion, and a packed Marketplace.
The Sound Choice Room at Montreal Audiofest 2026: Matrix Audio, Fezz Audio, Fyne Audio, Synergistic Research, Western Electric
In our latest update from Montreal Audiofest 2026, Robert Schryer gives us the lowdown on what he saw and heard in The Sound Choice Room, which included gear from Matrix Audio, Fezz Audio, and Fyne Audio.
The Springtime in New York Sale at Stereo Exchange
Friday–Sunday, April 13–15, 10am–8pm: Stereo Exchange (627 Broadway, New York, NY) will host a weekend-long series of demonstrations from key players in the hi-fi industry including but not limited to an Einstein-haired speaker designer, young gun salesman, and the king of kables.
The Straight Story
Loudspeaker designer and manufacturer Richard Vandersteen has heard enough: He is embarking on a crusade to right an egregious wrong he sees being perpetuated by the marketing scribes and salesfolk working in the consumer electronics business. Though he was miles away, at his company headquarters in Hanford, CA, his passion for spreading the audiophile word came through the telephone loud and clear.
The Supremes Do Grokster
On Tuesday, March 29, 2005, the US Supreme Court heard the oral arguments for the case of Metro-Goldwyn-Mayer Studios, Inc. v. Grokster, Ltd. This was widely covered in the mainstream news media, as well as all over the Web, but none of the synopses of the case did true justice to the give-and-take of the arguments, as I discovered this week when I stumbled upon a .pdf transcription of the complete oral arguments.
The Supremes Okay Vendor-Imposed Resale Prices
On Thursday, June 28, the US Supreme Court voted 5-4 that manufacturers could impose minimum prices if "they promote competition." The case—Leegin v. PSKS—involved Leegin Creative Leather Products, Inc., a California-based manufacturer of women's fashion accessories, which argued that it had the right to set minimum consumer prices on its products to maintain price consistency among the niche retailers it sold to. Those stores, Leegin argued, emphasized customer service, which allowed them to compete with discount retailers that are selling more widely distributed, inexpensive products.
The Tape Project Ships First Title
As we reportedhttp://www.stereophile.com/news/012907master/">reported; last January, The">http://www.tapeproject.com">The Tape Project, a collaboration among mastering engineers Paul Stubblebine and Michael Romanowski, both of Paul Stubblebine Mastering, and Dan Schmalle of Bottlehead, plans to release 10 master-quality tapes per year. The Tape Project's inaugural outing, available now, is The Number White by jazz vocalist Jaqui Naylor.
The THD Wars Are Over?
Back in the bad old pioneer days of high fidelity, the 1960s and early 1970s, amplifier manufacturers embarked on a specifications war, claiming ever lower percentages of total harmonic distortion. But, as J. Gordon Holt presciently pointed out in the 1960s, without reference to the spectrum of the distortion harmonics, the actual percentage was not in itself a reliable indicator of an amplifier's sound quality. And as those early low-THD models had distortion spectra that were heavily biased toward the sonically objectionable fifth, seventh, and ninth harmonics, and suffered from other related ills, they tended to sound quite nasty.