AXPONA 2022

The midrange stole the show in Philip O'Hanlon's On a Higher Note room as platter after platter delivered analog magic. Thanks to Graham Audio's LS8/1 speakers ($9700/pair with stands and spikes), the Moonriver 404 Reference integrated amplifier ($4995) with optional internal MM/MC phono stage ($550)-see my review here- Bergmann Audio's Modi air bearing turntable and Modi air-bearing linear-tracking tonearm ($17,000) with Hana ML cartridge ($1200) and Krion turntable platform ($4850), an Artesania Audio Exoteryc 3-level rack ($7300), and Cardas Audio Clear cabling, award-winning soprano Fatma Said's soft high notes floated wonderfully.

My first surprise of the day came when I squeezed what I thought was Colgate from a red-and-white tube onto my toothbrush. It turned out to be hydrocortisone cream, also from a red-and-white tube.

After that, I ventured out and got my second surprise, this one considerably more pleasant. In one of the third-floor Saturday Audio Exchange rooms, I encountered a new flagship Paradigm loudspeaker, the floorstanding Founder 120H ($8499/pair).

Are we truly moving closer to the alpha and omega of high-end audio, or are we still at the beginning of an ever widening—some would say deviating—path that now includes virtual reality 360° listening, Dolby Atmos, Apple Immersion, and so much more. All I know for certain is that showgoers who visited Quintessence Audio's Perfection Audio when Wilson Audio's Sasha DAW speakers ($39,000/pair) had their grilles on came away with only a partial sense of all this system could accomplish.

I'm in the middle of an audition in the room where Raidho TD3.8 speakers ($119,999/pair) are producing sweet music in synergy with two $6000-each Margules Audio U-280SC tube amplifiers running in triode mode. (JVS reviewed the amp in November 2017.) Suddenly some deep-voiced dude speaks up, just to my right: "You guys ever heard of the Purple Man?" Puzzled, I look in his direction. No one's there.

I am not making this up. During a particularly burned-out moment in the afternoon, I thought about what might deliver the breath of fresh air I needed to restore my energy and refresh my spirits. Instead of opting for green tea or a walk around the hotel, I realized that some time with Pass Labs amplification might transport back to the pastel paradise I inhabited during my time with the Pass XA200.8 class-A monoblocks.

A newcomer from Denver, Colorado, Erwin Jesudason's Sadhan Audio made its debut at AXPONA, presenting its new preamplifier, cables, and loudspeakers. Though humble and homey-looking, this minimalist system was sweetly transparent, its largish floorstanding speakers imaged beautifully and practically vanished, casting a wide, deep soundstage. Some more expensive systems lack the Sadhan Audio system's effortless reproduction and natural tone, which made a CD by Edgar Meyer, Bela Fleck, and Mike Marshall a toe-tapping wonder. (The late Art Dudley often said if a system got you bumping and dancing, it's onto something good). I could have plopped myself down in this room and never moved.

Located just five miles from each other in the beauteous state of New Hampshire, Sonner Audio and Small Green Computer teamed up to present a lovely mid-priced system that quickly won over hearts with its beauty. Yes, every veteran audiophile has heard tenor José Carreras sing "that track" from Misa Criolla, but far fewer have enjoyed all the atmosphere, midrange warmth, and excellent bass that this track can deliver. Carreras sounded especially clear, present, and intimate on this space-considerated system.