Tea, Tubes, and a Touch of Bias: Jadis Plots Its Next Move
What more delightful way to end the third day of High End Munich than having a cup of tea and a short chat with Jean-Christophe Calmettes, owner of Jadis Electronics? He had some interesting news to share about the French company's two forthcoming integrated amplifiers, the Aria class-AB ($5200, all prices approximate when converted from Euros) and the Ode 30W pure class-A (available fourth quarter 2025, price TBD).
Thales, Stenheim, Master Fidelity, Boulder, Pink Faun, and the Turntable That Waited
Before the show, I’d heard rumblings about the new Swiss-made Thales Reference turntable. Art Dudley had previously reviewed the Thales TTT-Compact turntable and Simplicity II tonearm, writing: “In 34 years of writing about playback gear, I have seen no products better made than the Thales turntable and tonearm, and precious few that equal them.”
The Czech List: Remton and Fonolab Bring the Goods
At High End Munich, the shared booth of Prague-based Remton Audio and Fonolab inevitably caught my eye. Beautifully crafted phono gear always stands out, especially when it reflects deep analog passion.
The Horn Supremacy: Silbatone Goes Full Throttle
South Korea's Silbatone delivered sound with startling intensity and scale. In a show known for polished, high end presentations, its Munich demo was an all out sonic spectacle—part sensory onslaught, part performance art. This was music as a full contact experience.
Tiny Dancer: Métronome Introduces the DSAS
Métronome unveiled its very first music server, the small but mighty Métronome x Audirvāna DSAS ($6950, due in September), in an all‑French system. This “Digital Sharing Audio Server” (DSAS) uses Audirvāna Studio to manage both local and streaming music. It includes 2TB of storage (expandable to 4TB) and comes with a free three‑year subscription to Audirvāna.
Tonar — A Cartload of Cleaning, Clamping, and Candy
If it's large and yellow, it's got to be Tonar! The European analog-accessories giant showed up in full force at Munich, its towering yellow signage and jam-packed booth instantly switching my brain into consumer overdrive.
Tracking Force of Nature: TechDAS, Kroma, Engström, Wadax, Jorma
TechDAS turntables appeared in several rooms. In Room F219, I was particularly taken with the Korf tonearm and the intricate latticework design of the Exquisite Vord Cartridge.
Truth from the Lyre: Orpheus Lab With Wadax and Kroma
Drawn by the lyre emblem on the faceplate and the promise of Swiss engineering, I took note in early April when longtime distributor Jay Rein of Bluebird Music was named exclusive North American distributor for Orpheus Lab. My interest deepened when I learned about Orpheus Lab’s five Absolute components ($12,900–$22,900/each) and the brand’s newer Heritage Opus II lineup.
Tubes and Horns and Rapture: NAT, Core, Odeon, PS Audio, Plus More
Serbian manufacturer NAT Audio produces a range of eclectic tube amplifiers, including the single-ended, class-A Transmitter EVO monoblock. At the amp’s core is the massive Siemens RS687 QB5/1750 power tetrode tube, which delivers between 40W and 80W of output.
Tubes and Tools: Thrax, Ramar Rock the Room
By this stage of the Munich show, I was frazzled but still hungry for more. The Thrax/Ramar room delivered, with Thrax's Rumen Artarski and Ramar's Rangel Vasev presenting a compact, well-executed system and a set of ingenious vinyl accessories.