Solid State Power Amp Reviews

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Audio Research D-100 power amplifier

We cannot recall when any new products have generated as much of a stir among perfectionists as the new solid-state equipment from Audio Research. Preceded by rumors of "a new kind of amplifying device—a cross between a tube and a transistor"—the announcement of ARC's new power amp and SP-4 preamplifier elicited very mixed reactions from loyal ARC customers, some of whom gleefully anticipated a virtual revolution in audio electronics, others of whom felt betrayed by the company which, having originally convinced them that "Tubes Are Better," suddenly seemed to be doing an about-face and espousing the views of the Enemy—the "Soiled-State"—forces.

Quad 405 power amplifier

This is something we don't see too often: an entirely new approach to power amplifier design. As Quad points out in its literature for the 405, class-A operation of transistors provides the lowest distortion, but drastically limits the amount of power an output transistor can deliver without overheating. (Most transistor amps use class-AB output operation, in which each of a pair of power transistors handles part of each signal cycle and shuts down during the other part. Imperfect synchronism between the two halves causes the familiar "crossover distortion," which accounts for most solid-state sound. In class-A operation, each output transistor draws current though the entirety of each signal cycle, eliminating the crossover transition but doubling the amount of time current is drawn, and thus tending to cause the transistor to heat up more.)

SAE Mark II Power Amplifier

It takes a lot of courage for a new company to launch an amplifier like this at time when most manufacturers are courting the mass market with budget-priced receivers, and Marantz is pretty firmly established as the Rolls Royce of audio electronics.


The SAE Mark II has, nominally, the same performance specs as the Dynaco Stereo 120, yet it costs twice as much as a factory-wired Stereo 120, and about 2½ times as much as a Stereo 120 kit. Is the SAE really worth the difference? And how does it compare with some other $400 amplifiers? Well, it all depends.

Dynaco Stereo 120 transistor power amplifier

One by one, the major amplifier manufacturers have acceded to the pressures of the marketplace and introduced "solid-state" models, whether or not these happened to sound as good as their previous tube-type units. Dynaco was one of the last of the hold outs, preferring, according to their advertisements, to wait until they could produce a solid-state unit that was at least as good as their best tube types. Now, they've taken the plunge at last, with their Stereo 120.

Eversolo AMP-F10 power amplifier

A century ago, pioneering psychiatrist Carl Jung had a wild encounter with the power of sound. "In a village on the way from Lake Albert to Rejaf in the Sudan we had a very exciting experience," Jung wrote in his book Memories, Dreams, Reflections. He goes on to describe his participation in a tribal drum and dance ritual. "Night had fallen ... when we heard drums and horn blasts. Soon some sixty men appeared, martially equipped with flashing lances, clubs, and swords."

PrimaLuna EVO 300 Hybrid power amplifier

These days, listeners the wide world over enjoy hearing their music recreated for them by equipment whose origins are international; trade isolationists might consider the example of PrimaLuna. This Holland-based company's operations span three continents, with designers from Floyd Design and Durob Audio in the Netherlands, manufacturing in China, and input from California-based Harmonia Distribution.

CH Precision M10 monoblock power amplifier

A mono pair of CH Precision M10s ($210,000/pair as reviewed) declares its presence in capital letters. Each channel consists of two large units, each almost 2' high, linked by a total of four umbilical cords. While the "lighter" amplifier unit weighs almost 117lb, the toroidal transformer–based power supply unit tops out at nearly 172lb. That's a lot of metal.
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