Phono Accessory Reviews

As long as you're spinning an LP for your listening pleasure, and if digitizing it at a resolution of 24-bit/192kHz is transparent to the analog source, why not record and store the LP on your computer at that high sampling rate for future convenient playback via iTunes or for iPod use, or for burning to CD-R? And, while you're at it, why not record the LP unequalized and apply the RIAA curve in the digital domain, where you're not dependent on capacitors and resistors that are imprecise to begin with, and can drift over time? With no drift of phase or value, the virtual filter's results should be better than with any analog filter. And in the digital domain, you can program in any curve known, and select it at the click of a mouse. Aside from the sweat equity invested in programming it in the first place, it wouldn't add a penny to the program's cost.

This whole thing started up again when I tried to improve the phono-input section of my main system—not to enhance its performance (although you might expect that to happen), but to provide a fairer, more flexible context for evaluating new cartridges.

Faith is the substance of things hoped for, the evidence of things unseen.—Hebrews 11:1

Analog maven Wally Malewicz is no stranger to these pages. His first commercial product, a cartridge-alignment tool called the WallyTractor, became a hit among the vinyl cognoscenti after Michael Fremer wrote about it in "Analog Corner" in the November 1998 Stereophile, and Malewicz's full kit of Wally Analog Tools was the joint winner of our Accessory">http://www.stereophile.com/features/724/index5.html">Accessory of the Year award in 2002.

It's a strange sort of progress: As culture and commerce evolve, most people look for simple, easy solutions to their needs. Enthusiasts, however, go out of their way to complicate matters, often choosing products that are expensive and difficult to use. Nowhere is this more obvious than in the world of home audio, where typical consumers have embraced the notion of smallish, self-contained music systems—yet audiophiles, who are surely as crazy as bedbugs, seem bent on parsing an ever-increasing number of individually distinct products from the basic concept of a music system.

LAST (Liquid Archival Sound Treatment) is a record treatment developed by one Dr. Catalano, which promises to retard dramatically the wear of vinyl discs. I don't feel that the advent of true digital discs will diminish the importance of LAST; on the contrary, as this century comes to a close many stereo records will be in their 30s and 40s and in need of as much preservation as possible, if the sounds and performances we treasure are to be preserved.

I own a lot of records. Way too many if we're being honest. It's hard for me to come up with an accurate count, and I'm not even remotely organized enough to have a formal inventory, but if I had to make a guesstimate based on linear feet I figure I must have around 10,000.