Aural Robert

Please let me explain. Because I've never been especially adept at making lifelong commitments and irrevocable decisions, when it came to naming this new column, Managing Editor Debbie Starr and I decided that we would gather the passionate (and supremely efficient) minds of the Stereophile production staff, add a near–life-threatening amount of margaritas, and put the question to them.

Seeing Bruce Springsteen perform live in the 1970s and early '80s, pre–Born in the U.S.A., could be a life-changing experience. Bruce was the hungry leader of a relentless, turn-on-a-dime R&B band. A burning star streaking across the rock'n'roll sky, he threw his fiery young self into maximum shows full of urgency (to invoke one of his best rhymes) and those wordy, anthemic pleading/strutting urban fairy tales. He was leagues beyond almost everything and everyone else in those days.

Super fans who dig deeper into a favorite artist's recording catalog eventually come to the crossroads of performance versus sonics. In the case of Sly Stone, who died this past June at age 82, that question has new relevance with the release on CD and vinyl of a "new" Sly and the Family Stone record, The First Family: Live at Winchester Cathedral 1967.

Women have undeniably become the most dynamic and vital creative force in music today. Without their good energies and ideas, music, which in the digital age has become more background than art, would be much less interesting and inspiring.

Her life became a whirlwind. Taking the train in from Brooklyn to Manhattan to pitch songs and experience the East Village scene, she landed a song-publishing deal at age 14. In 1968, at 18, after a chance meeting in an elevator, a legendary songwriter/record producer was interested in assisting her in making her debut album.

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band's hallowed recording catalog are unending.

Just before Christmas 2025, American music suffered two irreplaceable losses with the passings of Raul Malo (December 8) and Joe Ely (December 15). While a lot of musicians exist on the artistic and commercial fringes, Malo and Ely were foundational artists, gifted creators and performers who refused to be confined by artistic boundaries.