AXPONA 2023

I wasn't necessarily expecting to find Alon Wolf (right) striking dangling bars of aluminum with a small mallet. Had Magico's celebrated designer embarked on a second career as a percussionist? Nah. He was demonstrating to Stereophile Editor Jim Austin (left) and myself that aluminum, which Magico has long used as the ideal material for its enclosures, rings, but can also be very effectively dampened by sandwiching a proprietary elastomer between two layers of it. The first (untreated) bar rang like a bell. The second one had a padded adhesive backing that took away about 80% of the effect. The last bar was the aforementioned sandwich, and yup: dead. No ringing.

Picture this: the Devialet Phantom, reviewed by Jim Austin here, is suddenly sphere-shaped rather than pill-shaped. Now imagine shrinking it down to the girth of a fat grapefruit (or the size of a Cabasse iO3 speaker)—so, a little under 7" in diameter. The Phantom's push-push configuration remains the same, so you'll see the opposing drivers subjected to violent-looking excursions, tortured by brutal bass notes.

That's the gist of the Mania, a pocket-sized, battery-operated Devialet speaker (well, pocket-sized if you don't mind wearing cargo pants).

There's nothing quite like starting off the show with a million dollar system. Holding court in the huge Schaumburg D partition of the Convention Center, the imposing Estelon Extreme Mk II bi-amped loudspeakers ($269,000/pair) received their juice from two Vitus Audio MP-S201 Mk I stereo amplifiers ($230,000/total) via Crystal Cable Art Series cabling ($330,000). But they were just the start of a system where each amplifier required three power cables, put out up to 500W/pc into 8 ohms and 1000W into 4, and weighed more than I can type without getting back spasms. (Okay: Each weighs 125kg. I don't dare convert that to lb.)

Two months ago, at the Tampa audio show, I got better acquainted with Acora Acoustics and its flagship loudspeaker, the VRC. They made some of the most impressive music at the expo—as they should for a price north of 200 grand.

For 15% of that small fortune, could an Acora speaker further down the line, like the SRC-1 ($35,000/pair), keep pace? I found out in Mimic Audio's dealer room on the hotel's 12th floor, where a high-level UN meeting of sorts was going on, with brands from four countries.

The Analog Matters room, presented by Big Ear Consulting LLC and original AXPONA cofounder Steve Davis, debuted a variety of components, including the return of (wait for it) Plinius!

As an enterprising Stereophile reporter, I do my homework. When I saw that Alex Sound Technology, of Windermere, Florida, was bringing the gorgeous Japanese Takatsuki 300B TA-S01 SET amplifier ($32,000, 8Wpc, new to the USA), along with new Japanese brand Sforzato (below), including their DST-050EX network transport ($4600), DSC-030EX Zero Link DAC ($9900), DSP-030EX Network Player ($9900), and PMC-015EX Master Clock ($4990), plus the Blumenhofer Acoustics Genuin FS 2 Mk2 horn-loaded loudspeakers ($22,850/pair), a bee flew into my Southern man's bonnet and I requested room coverage to major domo Jim Austin.

I have long found it kind of disappointing that just a handful of companies still manufacture turntables in the United States, but SOTA is a true survivor, having delivered their first turntables way back in 1979. At AXPONA, SOTA co-owner Donna Bodinet was displaying their new Quasar model, which moves the suspension-less Urban product series a few steps upmarket.