Toronto Audiofest 2024

The Toronto Audiofest 2024 was a fun show, and by all signs, the audio hobby still beats with a vital, passionate heart.

At every Toronto Audiofest, EQ Audio Video hosts the same room and it's easily the biggest one at the show—it's the size of a palatial Austrian ballroom—which the retailer subdivides into several closed-off demos that play at different times. EQ Audio Video owner Ed O'Herlihy knows how to put demos together so they always sound impressive, and this year I got to hear two of the best systems, not only in the EQ room, but at the entire show.

Some products at audio shows create a buzz. They get people excited and raving about them in the venue’s corridors. One such product at this year’s show was the Elac Concentro S 503 standmount speaker.

Another great-sounding room was the one hosted by retailer Vinyl Sound, a name that, as proprietor of the store, you have to live up to—you have to sell turntables!

Monitor Audio was displaying two systems. The first showcased a pair of the company's Studio 89 monitors ($2999/pair, + $799 for Studio 89 stands) and Anthra W12 subwoofer ($3700), fed by a 140Wpc, class-A/B Rotel RAS-5000 integrated amplifier ($3999), while cabling and the component rack, in systems 1 and 2, were by Audience and Norstone, respectively.

You want big-toned, vivid, seemingly effortlessly dispersed sound with a knack for delivering some of the most stable and incisively air-sculpted, but not fatiguing, imaging I've heard at the show?

You know how they say that after a while dog owners start looking like their pets? I doubt it's true, but on the premise that it is, I wonder if the same can be claimed about brand names or store names; example: if you opened the "Best Gear Ever " store, would you, even subconsciously, feel compelled to seek out and sell the best gear? Would you try to resemble the name, to live up to it?