Our first article this week is <A HREF="http://www.stereophile.com//features/74/">Space . . . the Final Frontier</A>, in which J. Gordon Holt explains both why he feels the High End should abandon two-channel stereo, and why it is misguided in its choice of loudspeakers for stereo reproduction.
This will be a huge year for the electronics industry, insiders are saying in the wake of the just-finished 1999 Consumer Electronics Show. This one "surpassed anything we've seen before," said Gary Shapiro, the president of the <A HREF="http://www.cemacity.org/">Consumer Electronics Manufacturers Association</A>, in a post-Show statement. "Our industry is driving the technologies that will define the digital age."
There is practically nothing that has set high-end audio on its collective ear like the article Jonathan Scull wrote back in 1994 on room-tuning devices from Shun Mook. Not only did some readers dog-pile J-10, but two other <I>Stereophile</I> writers, Barry Willis and Sam Tellig, decided to take on the challenge. Required reading for anyone who wants to know more about <A HREF="http://www.stereophile.com//features/69/">The Shun Mook Affair</A>.
As this is filed, there are only a couple of days until the end of the year, but still plenty of time to get these predictions under the interconnect. You can find part one <A HREF="http://www.stereophile.com/news/10054/">here</A>, and part two <A HREF="http://www.stereophile.com/news/10064/">here</A>.
Time to yank out the old oxygen-free crystal interconnects and gaze into audio's future for 1999. Now that www.stereophile.com has a year under its online belt, we should be able to read the sonic omens with greater resolution, or at least confine our mistakes to minor stumbles. First, we'll see how our <A HREF="http://www.stereophile.com/news/10067/">prognostications for 1998</A> panned out, and spin them a little to tune in 1999. We'll add reader predictions at the bottom. Got your own predictions? <A HREF="mailto:jiverson@stereophile.com">Send 'em in</A>!
J. Gordon Holt, founder not only of <I>Stereophile</I> but also of high-end audio journalism as we know it, reveals all in a comprehensive interview with writer Steven Stone: <A HREF="http://www.stereophile.com//interviews/66/">35 Years and Just Getting Started</A>.
It helps to know the technical basics when building the ultimate audio system. J. Gordon Holt, pointing out that "knowledge is power," would like to see thousands of knowledgeable audiophiles girdling the planet, and so has created an excellent primer on audio basics called <A HREF="http://www.stereophile.com//reference/62/">A is for Ampere</A>.
Getting a jump on the RIAA's move to create a new music-download standard (<A HREF="http://www.stereophile.com/news/10338/">see related article</A>), Tower Records announced last week that it will feature a new song-download service, created by Atlanta-based <A HREF="http://www.amplified.com">amplified.com</A>, on the <A HREF="http://www.towerrecords.com">Towerrecords.com</A> website.
For those of you who need yet another Jimi fix, Experience Hendrix/MCA will release a 2-CD collection of music from Jimi Hendrix's Band of Gypsys concerts at New York City's Fillmore East, which took place on December 31, 1969 and January 1, 1970. Drawn from the guitarist's four legendary performances, the new package will contain 16 tracks, 13 of which have never before been released in any form, with two additional tracks making their CD debut. <I>Jimi Hendrix: Live at the Fillmore East</I> will be released on CD and 180gm vinyl (three LPs) on February 9.
Audiophiles have more than just piles of equipment and music to wrestle with in their quest for audio ecstasy. The listening room often colors a system's performance as much as any component in the chain. Tom Norton decided it was time to examine the subject, writing, "although the perfect room does not exist, there are things that can be done to make the most of even an admittedly difficult situation." See his report in "<A HREF="http://www.stereophile.com//reference/58/">Enough Room?</A>"