Barry Willis

Build a road and traffic will flow.

Success begets success. Canton, Massachusetts-based <A HREF="http://www.twtr.com/">Tweeter Home Entertainment Group, Inc.</A> announced February 2 that it has acquired Home Entertainment of Texas, Inc. The acquisition gives Tweeter a solid foothold in the Southwest, and is the latest in a takeover campaign that has enveloped two successful regional chains in each of the past two years.

Silicon Valley, Jan. 28---John Sunier, host of the nationally syndicated radio program <A HREF="http://www.btown.com/audio.html"><I>Audiophile Audition</I></A>, and I were here last night at Cogswell College for an Audio Engineering Society-hosted lecture and demonstration by <A HREF="http://www.medianix.com">MedianiX</A&gt;. The Mountain View-based semiconductor company has pioneered a "virtual multi-axis" ("VMAx") surround-sound technology using only one pair of closely spaced loudspeakers.

Recording and music production technology has seen enormous change in recent years. Engineers and producers now have unprecedented power to manipulate the tinest details in recordings using computers and other tools. But the process may be taking the life and soul out of music. Some feel that commercial recordings lack the spontaneity that makes live music so immediate and satisfying. Others prefer the "perfection."

Only a few days remain until Christmas. Trees, tinsel, twinkling lights, and . . . tunes. It's the audiofool's most dreaded time of the year, when he once again suffers through his nine-thousandth experience of Bing Crosby crooning "Rudolph the Red-Nosed Reindeer." Sheer torture.

It won't be long before the Net-connected music lover will be able to sample and hold the tunes of his choice without having to visit Tower Records. High-speed transmission, high-density storage, and CD-quality music online---the three parts of the downloading puzzle---all fell into place the week of November 10.

Astute readers will note that although my name appears under the "hardware" heading of <I>Stereophile</I>'s masthead, I have rarely written about specific products, and, apart from secondary comments or Follow-Ups, have never written a formal equipment report. For years I resisted reviewing because I was usually connected in some way to audio manufacturers and/or retailers, and felt very uncomfortable with the conflict of interest. The other reason I was disinclined to review is that the critical listening required of reviewers is <I>work</I>, and after a long day or week of working on, or with, audio equipment, the only thing I wanted to do when I came home was relax. But since I have hung up my soldering iron and oscilloscope probe for what I hope is the last time, and am cleaving instead to my word processor (or, as playwright David Ives dubbed it, my "verboblender"), you may see more of this&mdash;WP, JA, and God willing.