Jason Victor Serinus

Auralic Sirius G2 Upsampling Processor

As someone accustomed to thinking of Auralic components as little boxes, the size and casing of their new Sirius G2 upsampling processor ($6000) suggests to me that the company is exploring new territory. It sure sounds that way from this product's description. Due late summer or early fall, the Sirius G2 is intended for placement between a streamer and DAC—any company's DAC—and is claimed to upgrade both "the processing power and the original performance envelope" of the DAC. Auralic's press literature says that by handling a DAC's data processing burden, the Sirius G2 "dramatically reduces the amount of distortion and jitter" of a DAC in its sweet spot, regardless of the incoming resolution of the file.
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Stein Music Bob XL Speakers, Tone Tool Trapezium Turntable

Taking horns far beyond their Alpine context, Stein Music's Bob XL speakers and subwoofers ($290,000 total) were reproducing Shelby Lynne's "Just a Little Lovin'" with warmth, solidity, and gratifying musicality. Company founder/designer Holger Stein attributed part of the system's success to the new Stein Music Matrix cable series. These silver cables are assembled on the company's own braiding machine, which allows them to control all parameters. Stein told me that they use special metrics to change the vector of the cable's magnetic fields so that their sum is zero.
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Goerne & Andsnes Give Schumann’s Longing New Life

What better way to get into the proper frame of mind for Munich High End than by listening to native German speaker baritone Matthias Goerne’s new recording of Schumann: Liederkreis, Op. 24—Kerner-Lieder Op. 35, with accompaniment by the distinguished piano soloist Leif Ove Andsnes? It’s available on CD (Harmonia Mundi HMM902353), as a download (up to 96/24), and streaming.
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Honoring Hector Berlioz

It's 150 years since that quintessential French Romantic, Louis-Hector Berlioz (1803–1869), left the planet. A near-contemporary of the equally romantic Chopin, Gounod, Schubert, Schumann, Mendelssohn, and Liszt, Berlioz shared with Meyerbeer (1791–1864) and Wagner (1813–1883) a propensity to express his passions and fantasies in music that sometimes unfolded slowly as it extended drama to extraordinary lengths.
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Verity Audio Monsalvat Amp-60 power amplifier

I first encountered Verity Audio's Monsalvat Amp-60 stereo power amplifier ($58,000) in October 2017, in one of the largest single-system rooms at the Rocky Mountain Audio Fest. After hearing the Amp-60 and Verity's Monsalvat Pre-2 preamplifier drive Verity's Lohengrin IIS loudspeakers ($133,000/pair), I enthused about the "most impressive range of colors and supreme sense of spaciousness" that contributed to the system's "absolutely beguiling" sound.
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Voxativ Absolut Hagen System, Synergistic Research Cables

Voxativ's deceptively simple-looking Absolut Hagen System ($7900 with Voxativ speaker cables), which consists of a Voxativ Absolut Box 30Wpc class-AB integrated amp, complete with custom DAC with DSP, Wi-Fi and Bluetooth aptX, and a pair of Voxativ Hagen single-driver loudspeakers, took advantage of a Samsung S10 Android phone to stream music wirelessly from Qobuz via aptX Bluetooth. The Absolut Hagen System, which used optional Synergistic Research cabling in the demo, can stream files up to 24/192. Thanks to built-in DSP, it is claimed to descend flat to 45Hz.
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Stenheim Alumine Three Loudspeakers, Einstein The Silver Bullet OTL Mono Amplifiers and The Pickup Phono Cartridge

There were two causes for excitement in Room 1534: the premiere of the Stenheim Alumine Three ($29,900/pair), the Swiss company's newest three-way floorstander, and the return of Einstein Audio to the US. The latter comes courtesy of its new brand ambassador, Walter Swanbon of Fidelis AV. The sound wasn't perfect—it was a little peaky on what may have been an unnaturally bright Deutsche Grammophon LP of Geza Anda playing Mozart's Piano Concerto No.17, but it was still wonderful (and, sadly, the only Mozart I heard at the show). That a totally different, winningly smooth sound came from Intervention Records' reissue of the LP Joe Jackson Live in New York suggests that an LP of someone else playing Mozart's PC No.17 might have been a better choice sonically.
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