Jason Victor Serinus

Air-walled exhibition rooms are one of the biggest challenges at audio shows. With no solid surfaces, many exhibitors in the large rooms on the first and second floors of the Schaumburg Convention Center had no choice but to struggle to put their best face forward.

Dynaudio and Octave probably had it better than most because, at the end of a row in Utopia D, presumably two of their walls were solid. Their sound on their biggest system certain was solid and all-of-one piece, yet extremely smooth. It had lots of life and flow, especially if you listened to LP and sat in the first row where the sound was at its tube splendor wettest and the low bass clearest.

I'm not one for abusing punctuation, as in ending every sentence of a press release with an exclamation point. (It happens more frequently than you may wish to know.) But when MBL named its top-of-the-line loudspeakers X-treme ($398,000/pair), they weren't kidding. These speakers are as huge as they are imposing.

The room was noisy, and the switching between selections a classic case of trackus interruptus. Nonetheless, the ability of Atohm's GT1 bookshelf speakers ($4499/pair) to convey bass far more powerful than one might reasonably expect from speakers of their size left me smiling. I was smiling as well because the first demo track chosen to display this wonder was one I occasionally reference for color, texture, and speed: Yosi Horikawa's "Bubbles" (16/44.1Tidal/First World Records).

When I first heard JMF Audio components from France at AXPONA 2022, I had no idea that, paired with the right speakers, they would produce heavenly sound. But in the room jointly sponsored by Fidelis Distribution, who handles Harbeth loudspeakers, and Audio Skies, which distributes JMF Audio and Ideon Audio, the mating of JMF with Harbeth delivered some of the finest-sounding music I heard at AXPONA 2023.

Electrocompaniet of Norway, too long absent from this writer's high-end radar, celebrated its 50th anniversary by showing the new AW 800M Nemo 2 800w monoblocks ($45,000/pair), EC 4.8 MKII reference preamp ($4900), EMC 1 MKV Reference CD player ($6800), ECM 1 MKII Media Center (a media player & streamer with DAC and preamp output, $5700), and ECP 2 MK II MM/MC phono amp ($2900). To celebrate the occasion, Lasse Danielsen, Sales and Marketing Director Electrocompaniet (left in photo) and Bjorn Kindingstad, company CEO (right), journeyed to AXPONA.

Harmonic Resolution Systems (HRS) unveiled its new, significantly less expensive EXR-1921-4V audio stand ($7795) at AXPONA. (I'd originally seen this stand at Definitive Audio's private Music Matters event in Seattle.) Put to good use in the Ultra Fidelis Room, it joined HRS's SXR-1921-5V audio stand ($11,550/frame), M3X2-1921 isolation base ($3995), R3X-1921 isolation base ($1975), and Vortex V150 isolation feet ($1630/set) to support a system that included Vandersteen M5HPA High Pass Amplifiers ($16,800/pair) and Kento Carbon loudspeakers ($41,700/pair)...

I'd encountered the pairing of room sponsor Nordost with VTL electronics and Stenheim loudspeakers in this very same room last year. But this time, with one more year to learn how to tame an extremely large, semi-intractable listening space, set-up wizard Stirling Trayle scored a bullseye.