Jason Victor Serinus

"Really nice alive sound." Simple words, they. But truth be told, they only apply to a limited number of systems at an audio show and far beyond, in the supposed "real" world.

Another speaker surprise from Matterhorn Audio Group of Boston. The midrange exceled through FinkTeam Borg floorstanding loudspeakers (starting at $36,490/pair), shown next to the Kim standmount (starting at $12,990/pair). The sound of Dominique Fils-Aimé singing "Birds" was as fetching as Chris Botti's "What a Wonderful World" was lovely.

I first encountered consistently handsome Rosso Fiorentino speakers at a show years ago, and immediately encouraged a now-retired distributor to pick up the Italian brand. I'm so happy to discover that AudioThesis is now bringing them into the US.

A speaker brand new to me, Kroma Atelier from Spain, caught many an eye and ear with the US premiere of their small black Mimi Xtreme standmount loudspeaker ($12,600/pair in white, $13,860 in black, left in photo) with Mimi stands ($3600/pair). Introduced by Tim Lukas's Matterhorn Audio Group of Boston, whose other brands include FinkTeam and Creek, the speaker is claimed to work with amps that output as little as 15Wpc. With a 6.5" midrange with proprietary cone, and a special AMT neodymium-ribbon tweeter designed by Mundorf to Kroma Atelier's specifications, the speaker boasts a 4 ohm nominal impedance, an 88dB sensitivity, and a frequency response of 30Hz–25kHz. The design of its woofer's surround (below) is intentional—it is possibly one the new Purifi drive-units.

Uh oh. It had to happen someone. But did trashed-in-shipment karma really need to strike New Hampshire's Gunny Surya, whose excellent Sonner Audio Legato Duo loudspeaker ($9500/pair) had to make do, not with the intended SW1X Audio Design DAC III SPX ($7500), but rather with an iFi DAC2 ($400)?

There was one and only one raison d'être for this room: showcasing the Innuos Statement Music Server/Ripper with Next Gen LPSU and 1TB internal SSD ($21,700). If it wasn't an unqualified success—two other pieces of equipment, borrowed for the show, were not broken in and produced flat and uninvolving sound on Day 1—it mattered not to moi, because the same Statement sounded fantastic during a 7-hour post-show visit to my Port Townsend music room by Innuos software designer Nuno Vitorino.

Aurender, whose music servers were in use in some of the best sounding rooms at PAF, had its own separate static display (with every model) and listening rooms. In the latter, the Aurender N20 ($12,000) produced excellent sound through the Berkeley Audio Design Alpha DAC Series 3 ($10,995), Constellation Argo Integrated Amplifier ($35,800), Magico A5 loudspeakers ($26,800), Shunyata Research cables and power conditioning, and Grand Prix Audio Monaco equipment stand.