Jason Victor Serinus

Truth from the Lyre: Orpheus Lab With Wadax and Kroma

Drawn by the lyre emblem on the faceplate and the promise of Swiss engineering, I took note in early April when longtime distributor Jay Rein of Bluebird Music was named exclusive North American distributor for Orpheus Lab. My interest deepened when I learned about Orpheus Lab’s five Absolute components ($12,900–$22,900/each) and the brand’s newer Heritage Opus II lineup.
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Soulnote and YG Acoustics: the Art of Listening Over Measuring

Soulnote, a Japanese brand established in 2004 by former Marantz Japan director Norinaga Nakazawa, made a strong showing at its third Munich High End. Present in Soulnote’s exhibition space were the handsome P-3 preamplifier ($22,990), M-3 monoblocks ($21,990 each), and a turntable outfitted with a DS Audio DS E3 optical cartridge ($2750). A pair of M-3 monoblocks are headed my way for review, so I’ll soon have a handle on what these babies can deliver in my system.
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Thales, Stenheim, Master Fidelity, Boulder, Pink Faun, and the Turntable That Waited

Before the show, I’d heard rumblings about the new Swiss-made Thales Reference turntable. Art Dudley had previously reviewed the Thales TTT-Compact turntable and Simplicity II tonearm, writing: “In 34 years of writing about playback gear, I have seen no products better made than the Thales turntable and tonearm, and precious few that equal them.”
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Amphion and NuPrime: In This Quiet Booth, Finland Spoke

Having recently read Tom Fine’s review of Amphion’s flagship floorstanders, the Krypton3X ($25,000/pair), in the June issue of Stereophile, I was eager to hear them. As luck would have it, the Finnish speaker company’s display in one of the MOC’s four huge halls included a small, sound-proofed listening booth. Before heading inside, I encountered Amphion CEO Anssi Hyvönen, who founded the company in 1998.
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Boulder 1151 monoblock power amplifier

For several decades—from well before I toured the Boulder factory in 2016—I've wanted to get a handle on the best sound the now–41-year-old company can offer. Multiple listening sessions at shows had more than hinted at excellence. But neither my time in Boulder's large, dedicated music room, which was intentionally dry, nor exposure at various hi-fi shows left me convinced that I'd heard Boulder's full potential.

My first opportunity for an in-home audition came in 2021, when I reviewed the 866 stereo integrated amplifier ($17,500 with DAC, $16,000 without). But that entry-level (by Boulder standards) product, which Senior Engineer Jameson Ludlam said was released to build brand awareness and expand the company's reach by offering "a more accessible product that provides the features we think many people are looking for with the performance they have come to expect from Boulder," only provided a peek at the excellence I expected Boulder to achieve.

So when a last-minute review cancellation opened space to review the just-released Boulder 1151 mono power amplifier ($47,000/pair), I thought, "At last!"

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