Jason Victor Serinus

For a one-man effort that began with 14 or 15 rooms in a Rockville mansion, the Capital Audiofest has grown considerably in its short existence. An idea birthed at a party—a group of well-lubricated audiophiles, meeting for their annual post-CES bash at the home of Ijaz Kahn, sat around lamenting that there hadn't been an audio show in DC since the 1980s, and when they had finally sobered up, exactly one, Gary Gill, pictured above at last year's Show, found himself committed to following through–the Capital Audiofest has expanded into a major show that will draw upwards of 1500 eager attendees from as far as Canada, Florida, and the Midwest.

Arrayed before me were the Triangle Art Referent turntable ($13,990); GamuT CD3 ($6500); NAT Audio Magma 160W amplifiers ($45,000/pair), Symmetrical dual balanced preamplifier ($8700), Signature battery phono stage ($7800); Eventus Audio Nebula loudspeakers ($65,000/pair), and Wireworld cabling. Not playing were the Triangle Art Signature turntable ($9990), NAT Single Integrated ($7800), and NAT Magnastotat battery preamplifier ($17,490). Some of this, as well as two other Eventus loudspeakers, was off to the side.