Given the dramatic drop in the number of high-end audio exhibits at CES, only two companies chose to occupy the huge, high-ceilinged suites on the Venetian Hotel's 35th floor. The first, Lamm Industries, from the quiet little hamlet of Brooklyn, NY (where John Atkinson also lives), threw caution to the winds with a system whose total retail price was $649,440.
For John Atkinson and me, CES began with a trip to the Hi-Res Pavilion in the Las Vegas Convention Center's enormous Central Hall. John must have been a dog in a past lifetime, because his ability to find the booth in the middle of that huge glittering morass, which could be euphemistically characterized as high tech on steroids, smacked of a sixth sense.
Elac, which has been around for many more years than Andrew Jones has been designing speakers for them, has now released their Roon-friendly Discovery DS-S101-G music server ($1100), which allows you to play your own music files via an external HD or NAS
With Mytek's Michal Jurewicz in the background, the company's Chebon Littlefield showed the new Clef high-resolution, MQA-equipped, Bluetooth-equipped, mobile USB DAC/headphone amplifier ($299).
With Warner, Universal Music Group, and Sony as major shareholders/partners, it's no wonder that MQA figured so prominently in the CES Hi-res pavilion. MQA wasn't everywhereQobuz hasn't seen fit to embrace it as yet, and the majority of audio manufacturers have yet to get on boardbut it has certainly come to mobile phones and players.
Cecilia Bartoli is back. After far too long without a new "solo" recording venture, the phenomenal mezzo-soprano returned to the microphone this past March, three months before she turned 51, to record nine Dolce Duello (Sweet Duels) with the 1759 baroque cello of Sol Gabetta. Supported by Sol's ensemble, Cappella Gabetta, under the leadership of her violinist brother, Andrés Gabetta, the two women deliver one sweet delight after the other.
If the holidays are a time for fantasy, what better way to celebrate than with the first complete recording of David Del Tredici's (b. 1937) absolutely fantastic fantasy, Child Alice for soprano and orchestra? Based on the "Alice" adventures of Lewis CarrollAlice's Adventures in Wonderland (1865) and the sequel, Through the Looking Glass and What Alice Found (1871)the first part of Child Alice, entitled In Memory of a Summer Day, won the 1980 Pulitzer Prize in Music, and helped solidify the then 43 year-old composer's position as the foremost exponent of the Neo-Romantic movement in music.