Jason Victor Serinus

In what may be a record period for audio show acquisitions. Connecticut-based trade show company JD Events has acquired AXPONA (Audio Expo North America). The announcement follows on the heels of UK-based The Chester Group's announcement that it has bought Montreal's Salon Son et Image, and gotten out of the way of AXPONA Chicago by moving its New York Show to a fall date in Brooklyn.

In its own words, JD Events "is dedicated to the creation of targeted and innovative industry-leading events that deliver results. The company brings together highly qualified buying audiences, education-rich content and high-level networking opportunities—all geared toward increasing business transactions in the markets it serves."

Roy Bird's UK-based Chester Group, which currently produces the New York Audio Show, has announced the acquisition of Montreal's Salon Son et Image. While the show will continue to take place in Montreal's Hilton Bonaventure in late March—March 28–30 in 2014—Sarah Tremblay, former co-producer of Montreal show with her husband, Michel Plante, will join the Chester Group team and assume overall management of both North American shows.

In addition, to avoid 2013's industry-taxing situation of the Montreal, Chicago, and New York shows taking place with only two or three weeks between each, the Chester Group has decided to move the New York show from April to September.

The fourth California Audio Show had just come to an end, but from the vigor with which the Music Lovers Audio staff launched into take down (above), it could have just as well been set-up day. Perhaps some of their energy reserves arose from the fact that attendance seemed significantly lighter than anticipated, even on Saturday.

Why have I devoted so much time and energy to writing up rooms at what was essentially a modestly sized regional show? To my way of thinking, exhibitors, both newbies and industry regulars, invested so much time and energy into making a good showing at CAS that I owe it to them to help get the word out far beyond the limited number of attendees.

There's nothing like highlighted text from Stereophile brother Art Dudley to get a fellow writer's attention. Then again, so do the Burwell & Sons Homage Series loudspeakers ($80,000/pair), whose price will tempt many vintage horn lovers to burn a hole their pockets.

This front view of the Music Lovers Audio/Musical Surroundings room gives but a hint of the huge, expansive, amazingly coherent, air-filled, three-dimensional soundstage of this system. My hands-down "Best of Show," the room was dominated by dominated by Wilson Audio Alexia loudspeakers ($48,500–$50,000/pair, depending upon finish)—another pair of Alexias now resides at John Atkinson's home for review—and Spectral Audio DMA-400RS monoblock amplifiers ($28,000/pair). Peter McGrath of Wilson Audio (left) and Hugh Fountain of Music Lovers Audio (right), as well as Garth Leerer of Musical Surroundings, deserve kudos for their set-up prowess.

I've previously praised EnigmAcoustics' Sopranino self-polarizing electrostatic supertweeter ($3690/pair), which I first encountered at T.H.E. Show Newport Beach. The Sopranino claims a flat response to beyond 40kHz and fully passive operation without the need of external bias. Here I heard a pair of Sopraninos in two different configurations. . .

Far more beckoned on the lobby level, but you can only keep them down on the farm so long. Eventually, the lure of unexplored territory pulled this Cancer crab out of the questionable security of his shell onto the wilds of the Westin's second floor. There I encountered the wildest of them all, Sean Casey (above), spinning platters in the Zu Audio room.