Jason Victor Serinus

Two highly respected product lines, one founded 32 years ago, and another whose pedigree dates from 1932, have returned to the North American market. <A HREF="http://www.ta-hifi.com">Theory & Application Elektroakustic</A> (T+A) products, from Germany, has returned to the US and Canada thanks to Dynaudio North America, and the venerable line of <A HREF="http://www.wharfedale.co.uk">Wharfedale loudspeakers</A> will once again reach the US from the UK, thanks to the dedication of Sound Import, LLC, of Hopedale, Massachusetts.

The long-awaited US launch of <A HREF="http://www.passionato.com">Passionato.com</A&gt;, intended as the World Wide Web's "premier destination for classical music connoisseurs," has finally happened. Passionato, which has no membership fee, offers the largest collection of classical-music downloads in CD-quality, DRM-free FLAC and 320kbps MP3 formats yet assembled online.

Three years after Dynaudio released its highly coveted 30th Anniversary Sapphire loudspeaker in a limited run of 2000 units, the final pair will be sold online by Danish auctioneer <A HREF="http://www.lauritz.com">Lauritz</A&gt;. All proceeds from the auction, which begins Wednesday, May 12, and ends at 2pm MEST on Saturday, May 22, will benefit Doctors Without Borders.

BluePort Jazz's catalog of 15 titles, recorded in jazz clubs and studios by Jim Merod, is now downloadable in lossless FLAC format from the <A HREF="http://www.houseoflinn.com">House of Linn website</A>. Merod&#151;a PhD professor, an author of numerous books, a music critic for <I>Enjoy the Music.com</I>, and an equipment reviewer for <I>Positive Feedback Online</I>&#151;is known for recording with as few microphones as possible and mixing everything live to two tracks in high-resolution (24-bit/96kHz) PCM format.

I almost missed the Nightingale display. The first time I tried to enter the room, there were so many people involved in post-listening conversation that I skipped it. Happily, the Axpona organizers alerted me to my omission, enabling me to leave the show on a high note. And once I took a listen, I understood why people were spending so much time discussing what they heard.

After much too long a hiatus, <I>Stereophile</I> again pierced the digital shield with the return of its “Meet the Editors” panel. Although a poorly publicized schedule shift from Friday to Saturday afternoon diminished attendance in the seminar room, those present asked about everything from <I>Stereophile</I>'s influence on the High End and integrity amongst audiophile publications to our favorite rooms at the show. While an objective report is impossible &#151;as far as I know, there are no prices on our heads that we can list&#151;it's fair to say that attendees got a pretty good sense of who we are as both dedicated listener/reviewer/critics and as human beings. Seen in the photo are (left to right): senior editor Michael Fremer, editor John Atkinson, and yours truly.