Jason Victor Serinus

Many rooms, such as Vanatoo's, where I snapped the above photo, had SRO crowds. Nor were those crowds limited to exhibits with low-priced products. MBL/UHA, Wilson/Audio Research, and MartinLogan/Parasound, to name but three higher-priced rooms that carried well-known brands, were mobbed. In addition, almost every attendee was respectful during demos, and refrained from the tendency to carry on private conversations. I only heard two cell phones go off in rooms, and no one blinded me by texting on a bright screen and then giving me attitude when I politely asked if they could turn it down. The respectfulness also applied to the exhibitors I encountered, who are sometimes so fried by Day Three that they ignore half the people who walk into their room.

Is this report's title referring to sound, substance, or more than a bit of both? As you ponder the not-exactly-hidden nuances of this decidedly less-than-metaphysical tease, you may also wish that you could have experienced both and more in the room sponsored by Audio Advisors of Palm Beach, FL, headlined by Wilson Audio's Sasha DAW loudspeaker ($37,900/pair) and Audio Research's Ref 160M monoblocks ($30,000/pair), Ref 6 stereo preamplifier ($15,000), Ref Phono 3 phono preamp ($15,000), and Ref CD9 CD player/DAC ($14,000).

Vanatoo's two diminutive, bargain-priced self-powered speaker models were among the many excellent-sounding exhibits I encountered on the fifth floor of the Embassy Suites by Hilton Tampa Airport Westshore, during my second day at the Florida Audio Expo. Nor was I the only attendee to realize how good Vanatoo's speakers sounded: The Seattle-based company's Gary Gesellchen was DJing to a standing-room-only crowd when I arrived.