Jason Victor Serinus

If I were forced to spend a week alone on a desert island, with my only companions a small, battery-powered player and one person's music collection, I'd have a tough time setting between the libraries of Jeffrey Catalano (High Water Sound, in the room above), Philip O'Hanlon (On a Higher Note), and John DeVore (Devore Fidelity). While their musical predilections certainly vary, all have impeccable taste when it comes to repertoire and artistry...

In the lobby of the Hotel Irvine, Meryl Jane was not only showing her paintings of famous audiophile-approved artists, but also extremely eager to have her picture snapped in their midst. By all laws known to God, human, and those strange outlaw beings known as Texans, opening day at an audio show is when systems, usually not fully dialed in, often sound sub par. Yet in Hotel Irvine, the most consistently fine sound I encountered was on Day One, in the extremely hard-to-tame cubic conference rooms on the lobby level...

The ribbon had been cut and the trumpets sounded. THE Show Newport Beach, whose 2015 installment had moved a mile or two up the road into Irvine, was underway. Doing the honors at the ribbon-cutting ceremony were, from left to right, a gold chain-bedecked Steve Rochlin of Enjoy the Music, accompanied by his wife, Heather to his left, and an unidentified woman to his right; Michael Fremer of Stereophile and AnalogPlanet.com; David Robinson of Positive Feedback, Robert Harley of The Absolute Sound.

The countdown to the start of THE Show Newport in Orange Country, California has begun. The largest three-day consumer audio show in America kicks off for the public on Friday, May 29 in the newly remodeled Hotel Irvine, with an optional trade day for press and invited guests the afternoon/eve before. With every exhibit space sold out, THE Show Newport promises to keep audiophiles busy with 406 exhibitors holding forth in 150 hotel rooms (including 10 larger suites), up to 25 larger rooms, 80 booths in a 6000 sq. ft. Headphonium Pavilion, and a packed Marketplace.

In addition to jazz chanteuse Lyn Stanley, who was sponsored by Purist Audio Design, the High End Society presented three quasi pop-up ensembles that, unless you followed the schedule, appeared without notice in hallways and at the top of stairways. Thus, while moving between Aurender and AudioQuest, did I encounter the Karinettensextett Karlischnättra. The six or eight bars of blessedly unamplified music I heard at the very end of their presentation sounded lovely...

Okay. I'm not a poet, and I know it. So let's quickly move on to the towering presence of Duelund's Frederik Carøe. Every time I look above the crowd and see Frederik's countenance, I know that Duelund has a new capacitor on the market...

While Saturday was packed by American show standards, getting an early start enabled me to spend a lot of time in one of the best sounding rooms at High End 2015. Tucked into a low ceilinged inner sanctum in Hall 2 of the MOC stood the world premiere of Stenheim of Switzerland's imposing four-tower Reference Statement loudspeaker system (approx. $400,000, above).