Jason Victor Serinus

CAS 2014 Day 2: Soaring Free

Mincing no words, Audioengine's Brady Bargenquast declared, "Bluetooth usually sounds like cat shit. Therefore, when we designed our wireless B1 Premium Bluetooth music receiver ($189), which just started shipping last week, we did four things to ensure good sound quality and satisfactory listening . . .
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CAS Day 2: In Full Flight

In the beginning, there was . . . No, this is not a Bible study course, but I do wish to pave the way (with gold, I wish) to the Genesis Advanced Technologies room hosted by Gary and Carolyn Koh and Joe Pittman. Mostly exhibiting Genesis products, the system was headlined by the hardly small Genesis G2 Juniors ($85,000/pair), driven by Genesis GR1440 monoblocks ($22,000/pair), unheard Genesis Muse Server/DAC ($12,000), Genesis SMC-1 preamp (prototype model—$18,000) with Absolute Fidelity Balanced Interface ($5500 for 6 meters), Genesis phono preamp ($12,000), Genesis cabling, and a prototype Genesis Foundation Equipment Stand ($12,000).
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CAS 2014 Day 1: Settling In

As soon as I entered the room sponsored by Loggie Audio of Redwood City, CA, the system's superior air, depth, and resolution were immediately apparent. The reason: YG Acoustics "Hailey" loudspeakers ($42,800/pair), Bryston 28B SST-2 1000Wpc monoblocks ($19,200/pair), Esoteric K-01 SACD player ($20,000), Audio Reference Technology "Analyst" cabling and power conditioning, and Harmonic Resolution Systems SXR stands and platforms. Oh, and a large room that gave the system more than enough space to expand and breathe.
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CAS 2014 Day 1: Lift Off

On the evening before the California Audio Show opened, as I gazed at San Francisco International Airport and the beautiful stretch of San Francisco Bay directly in front of the Westin SFO, I thought to myself, "This area is already accustomed to a lot of high-decibel booming and shrieking. But I wonder if it's ready for the sounds that CAS has in store?"

The answer came in the form of what appeared to be a very healthy attendance for Day 1 of the show, and some of the finest sound I've ever heard at an audio show. (The California Audio Show runs through Sunday August 17.)

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Albert Von Schweikert's Traveling Mr. Wizard Show

Inspired by Watch Mr. Wizard, a children's science show that aired on American TV 1951–1965, loudspeaker designer Albert Von Schweikert brought his updated, all-ages loudspeaker installment to Orinda, CA last weekend. Presenting to members of the newly constituted San Francisco Audio Society, Von Schweikert and his grandson, Devon Von Schweikert, enabled attendees to compare the sound of various midrange drivers and enclosure materials.
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Parasound Shares its Strengths in San Jose

On July 17, industry veterans Richard Schram, founder of Parasound, and John Curl, the company's legendary circuit designer (above), made a rare joint appearance at Century Stereo in San Jose, CA. Surviving unexpectedly horrendous freeway traffic, which made for a late start—perfect for this writer, who made the same commute—the two men's great spirits contributed to an evening as entertaining as it was informative.
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A Capital Show Starts Friday

The annual Capital Audio Fest (CAF), the Mid-Atlantic States' premier playground for audio, returns to the Sheraton Hotel in Silver Spring, MD on July 25–27. With the addition of its CanMania, whose list of vendors continues to grow; Saturday's Headphone Meet; and a new focus on high-resolution downloads, the annual show expects to draw a younger and bigger crowd of up to 2000 attendees to its eminently accessible location.
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Estelon's Major Statement: The Extreme Loudspeaker

Extreme, perhaps, in size—6'10" when fully extended—and certainly in price ($260,000/pair US price), the Estelon Extreme loudspeaker has arrived at its exclusive US dealer, Audio High in Mountain View and Los Angeles, CA. The brainchild of Estonian designer Alfred Vassilkov, 56, who describes it as the culmination of 30 years of research, each loudspeaker, pictured above with Audio High's Michael Silver, weighs 551.16 lbs (250kg).
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