Jason Victor Serinus

CAS 2013 Day One: Scaling the Heights

Far more beckoned on the lobby level, but you can only keep them down on the farm so long. Eventually, the lure of unexplored territory pulled this Cancer crab out of the questionable security of his shell onto the wilds of the Westin's second floor. There I encountered the wildest of them all, Sean Casey (above), spinning platters in the Zu Audio room.
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CAS 2013: Day One, Lots More Lobby

Time to settle into deeper listening. We'll spend a bit of time in Loggie Audio's second room, built around Ypsilon and (TEAC) Esoteric electronics and the equally excellent YG Acoustics Sonja 1.2 loudspeakers ($72,800/pair), not only because it sounded so good, but also because it presented the US debut of what may very well prove to be a major cable line.
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CAS 2013: Day One, Poking Round the Lobby

JIB cabling, long linked to its factory in Berlin, has now birthed a distinct US branch. Aptly named JIB-USA, it's located in Fremont, CA. At CAS, Allen Ong and his son displayed, among other models, the company's new DSP-001 speaker cable ($7150/2.5m pair). Composed of UP-OCC that is cryogenically treated, insulated with Teflon, and terminated with rhodium connectors, the cable made its silent show premiere.
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CAS 2013 Gets Underway

Ensconced in the third hotel in its four-year history, the three-day California Audio Show opened on August 9, 2013 in the five-floor Westin Hotel in Millbrae, CA. Otherwise known as the Westin SFO, the hotel resides on One Old Bayshore Highway, a hefty stone's throw from San Francisco Bay, directly across the water from the airport runway where Asiana Flight 214 crashed on July 6.
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The 4th California Audio Show Starts Friday

The fourth annual California Audio Show is poised to get underway August 9–11 in a new venue, the Westin San Francisco Airport (Westin SFO), in Millbrae, CA. The only West Coast consumer fine-audio show between Newport Beach (in very southern California) and Denver, CAS4 is expected to draw close to 1000 audiophiles per day to listen to systems in at least 41 sound rooms, 16 of which are of medium or large size.
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Wilson Audiophile Recordings Return

Many of David Wilson's highly acclaimed, long out-of-print recordings are poised to make old and new generations of audiophiles very happy. On August 1, the first two of a selected batch of Wilson Audiophile Recordings will return to circulation as high-resolution (176.4kHz/24-bit), CD-quality, and MP3 downloads. Distributed by Naxos via a host of mass-market and hi-res digital music stores, including Chandos' "The Classical Shoppe," eClassical24bit, HDMusic, HDTracks, HiResAudio, Linn Records, Onkyo, and Qobuz24bit, the first titles in the series are Recital, James B. Welch's disc of four centuries of organ music, and Beethoven and Enescu Sonatas, performed by violinist David Abel and pianist Julie Steinberg, this magazine's "Recording of the Month" for February 1984.
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Capital Audiofest 2013 Starts Friday

With AXPONA's shift to Chicago, the Capital Audiofest has become the only high quality audio show on the East Coast south of New York City. Taking place July 26–28, CAF has relocated to the newly remodeled Sheraton Silver Spring Hotel, a superior and eminently accessible venue that has double the number of large exhibit rooms as last year's Crowne Plaza in Rockville, MD.

Located inside the Beltway, just three blocks from the Metro line, CAF will take place just 1 mile from the DC city limits. With 44 exhibit spaces booked as of July 17, many of which will display major brands, show organizer Gary Gill is optimistic that attendance will far exceed last year's under-1000 estimate.

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(Mostly) Analog Adventures By the Bay

Zesto’s George Counnas gets excited about his tubed phono and line preamps

It was a first-time venture for Elite Audio Systems, San Francisco’s newest and unique fine-audio emporium. On June 29, 2013, proprietor Michael Woods opened his doors to an event, co-organized with Peter Truce of the Bay Area Audiophile Society’s Analog Committee, that drew close to 60 folks to two mainly analog listening sessions.

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Another Opening, Another Show

Photo: John Atkinson

Location, location, location . . . and, from Richard Beers and Bob Levi, a generous helping of brilliant organizing acumen. That winning combination means that, in just its third year, T.H.E. Show Newport Beach has already laid claim to the title of the top consumer “fine audio” show in the U.S.

What exactly No.1 means is another question entirely. While T.H.E. Show Newport Beach may have been spread over multiple floors in two adjacent hotels, as was T.H.E. Show Las Vegas of old, and offered, in addition to almost 140 exhibit rooms and an invaluable number of seminars, a corridor-long “cigar show,” a glitzy car show, wine show, gourmet food trucks, and multiple entertainment stages and markets, it’s hard to know if all that = “best.” And while attendance is claimed to be very high, it’s hard to know how many of the estimated 7500 attendees actually paid to get in, and how many took advantage of either generously distributed comps or membership in the Los Angeles-Orange County Audio Society.

What is certain is that, despite what JA told me was a surprisingly slow Sunday, there were people everywhere on Friday and Saturday. Everywhere, as in all over the place. And that means more than physically. People ran the gamut age-wise as well as interest wise, if less so in terms of the male-female ratio.

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