Jason Victor Serinus

USB from JPS Labs

Joe Skubinski of JPS Labs introduced its first two USB cables, the Superconductor Q USB (approximately $399/1m) and Superconductor 3 USB (approximately $799/1m). The cables are so new that Skubinski had to guess at the prices. Both boast a precision twisted-quad design with dual shields and gold-plated connectors.

Skubinski’s design goals were to transfer the digital signal as flawlessly as possible without radiating noise into adjacent cables. As I left the room, he and the folks from Usher loudspeakers were about to conduct an experiment to see if the Superconductor 3 could successfully transmit music recorded at 352.8kHz.

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XLO’s Hefty Purple Rush

Allen Sung, owner of XLO (left), introduced the Purple Rush power cord ($7000/6ft). The first product in the company’s new Purple Reigns series, this substantial baby is heavy enough to easily yank a poorly positioned component off the shelf. IMHO, the cable’s oversized proprietary connectors are as impressive as its girth.

XLO’s designer, Jay Victor (right), explained that he wanted to design a power cable that he could use on high-current power amps in his own system. “I started dabbling in cable design when I was in charge of product development at Monster Cable with Demian Martin,” he said. “We were marveling at how much of a difference different power cables made to a system’s sound. I kept refining my ideas of power cable design, until I came up with idea of mixing different conductor shapes to best convey the whole range of bass sound.”

Victor believes that a large solid conductor is great for low bass, a flat conductor is best for mid bass, and a polymer coated Litz works best for highs and transients. He has combined all three in the Purple Rush power cord. The cord also employs an exotic field-balanced winding technique to lower the noise floor and cancel magnetic effects. All in all, five patents are associated with the Purple Rush power cord, which took eight years to develop and refine.

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Cardas’ Expanded Clear Line

George Cardas stands darped in the new Cardas cables whie the company's Operations Manager Josh Meredith was happy to show off Cardas’ Clear Light Speaker cable ($1048/2m pair). Now the lower end of the Clear speaker cable line, it will soon move up a notch to middle position as another model of speaker cable comes out. A simplified version of Clear speaker cable ($3726/2m pair), its ability to be produced more rapidly results in its considerably lower price.

Also on hand was the Clear Light Rev 1 interconnect ($856/1.5m pair). Now with a larger diameter, improved shield, and nicer RCA connector, it is still substantially lower in price that the Clear interconnect ($2360/1.5m pair). Next on the horizon is a Clear power cable.

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Cardas gets inside your head

Audiophile sensibilities have long found a comfortable home inside George Cardas’ head. Also in George’s head for the past two years has been the design of a single-driver, dynamic in-ear monitor that would fulfill his desire for a non-fatiguing portable listening experience. The as yet unnamed little gems are just entering production, and are expected to retail in the $300–$500 range. A quick listen confirms that George has indeed managed to do something quite special: glorious midrange. I gladly accepted a sample pair for review; I reckon I’ll be spending a good chunk of time with George’s thoughts and sound in my head very soon.
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Nordost’s New Leif Series

To celebrate its 20th Anniversary in the cable business, Nordost has just introduced its new Leif Series. The series consists of four levels:
White Lightning ($179.99/1m pair interconnects, $359.99/2m pair speaker cable); Purple Flare ($249.99/1m pair interconnects, $499.99/2m pair speaker cable); LS Blue Heaven ($349.99/1m pair interconnects, $699.99/2m pair speaker cable); and Red Dawn ($499.99/1m pair interconnects, $999.99/2m pair speaker cable).

Of special interest is the change to Nordost’s old standby, the now-discontinued Blue Heaven. “I still remember when we introduced our Blue Heaven cabling 18 years ago,” Lars Christensen (seen here in the photo) recalled at the beginning of the demo in the Venetian. “We thought it was so expensive that we wouldn’t be able to sell it. Now, for much less money, we’ve got Nordost’s new 20th anniversary cable, White Lightning.”

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CES 2011: Easy Registration, Challenging Assignment

The Consumer Electronics Association made the final step of registration, badge-holder pick-up, easier for CES attendees this year. In addition to registration sites at the Venetian, Las Vegas Convention Center, and a number of hotels, a registration booth was set up in the baggage claim area of Las Vegas’ McCarran International Airport. The line may have been 25-people deep when I approached on Wednesday around noon, but it moved quickly.
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Silverman's Beethoven Series Continues in San José

<A HREF="http://www.stereophile.com/musicrecordings/131/index8.html">Robert Silverman</A>, whose many recordings for <I>Stereophile</I> have made him a living legend among audiophiles, continues his <A HREF="http://www.audiohigh.org/upcoming-events">series of performances</A> of all of Beethoven's piano sonatas in San Jos&#233;, California, November 11 and 18. Held in San Jose's lovely and acoustically superior Le Petit Trianon Theatre, the concerts mark the halfway point in Silverman's eight-concert series. All proceeds go toward building, at Stanford Children's Hospital, an <A HREF="http://www.elfsystems.org">Elf Foundation Room of Magic</A>: a private entertainment theater in which uplifting music and films can be shared with patients.

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Axpona 2011: a Goldmine for Audiophiles

Axpona lives! The Audio Expo of North America, the consumer high-end audio show whose <A HREF="http://blog.stereophile.com/axpona2010">successful 2010 launch</A> in Jacksonville, Florida, established it as the premier high-performance audio show on the East Coast, has moved to the far more accessible and convention-friendly Sheraton Atlanta, in Georgia. Scheduled for April 15&#150;17, 2011, with a special four-hour trade preview on April 14, the show is cosponsored by <I>Stereophile</I> and <I>Goldmine</I>.

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RMAF 2010 Surpasses Expectations

Photo: John Atkinson

t's one thing to know that you're attending what has quickly grown into the largest annual high-end show in the United States. It's something else entirely to try to take in even a third of the 180 exhibits that were spread over the width, breadth and height of the Denver Marriott Tech Center.

RMAF 2010 drew such a huge rush of attendees on the first day (October 15) as to cause at least one overly packed elevator to spend what seemed like a minute in limbo, considering whether it should dare try to ascend. When it finally determined to go up rather than crash down, it moved in fits and starts, and shuddered each time it reached a floor. I think more than one of its occupants took a vow then and there to finally lose some weight. Stereophile ran out of their new-at-the-Show November issue by the end of the second day, and when a member of the Colorado Audio Society donated his collection of back issues to us on Sunday (see the photo), they were all gone within minutes.

Show exhibits extended to eight packed floors, and down into the. . .

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