Given the state of the economy, speculation abounds concerning major declines in the numbers of exhibitors and attendees at this year's audio/video shows in Las Vegas. If the advance numbers can be trusted, however, that will be anything but the case this January 8–11, when the high-end audio exhibits of both the Consumer Electronics Show and T.H.E. Show will be open.
The Deutsche Grammophon <A HREF="http://www2.deutschegrammophon.com/">webshop</A> and <A HREF="http://www.hdtracks.com ">HDtracks</A> have special New Year's gifts for audiophiles: more CD-quality and high-resolution downloads.
In the early morning hours of December 11, Joseph Cohen of the <A HREF="http://www.lotusgroupusa.com">Lotus Group</A>, the exclusive distributor of Oyaide products in North America, sent out a "Lotus Group News Flash!" The e-mail, dated December 10, declared:
Naxos has taken a major step toward distributing higher-quality downloads of classical-music recordings. <A HREF="http://www.classicsonline.com">ClassicsOnline</A>, the label's impressive download site, now offers the world's largest collection of classical-music recordings free of digital rights management (DRM). All of the site's nearly 22,000 albums, from more than 100 independent labels, are available at 320kbps.
Can audiences tell the difference between a computer-generated orchestra and the real thing? Just how far have digital sampling and loudspeaker technologies advanced?
As John Atkinson (right) and I were saying our goodbyes until the 2009 CES in Las Vegas, RMAF co-directors Al Stiefel and Marjorie Baumert were compiling attendance stats for this year's show. Although the fact that there were far more rooms this year, with exhibits spread over two hotels, left some exhibitors thinking that attendance was down, attendance was actually up just over 7%. Almost 3500 people attended this year's RMAF. The Sunday walk-ins were 407—almost 150 over last year.
On Saturday night, Bay Area Audiophile Society coordinator Bob Walters gave me a list of rooms he urged me to visit. Since two were on the 10th floor of the Marriott Tower, on which I had not yet set foot, I resolved to check both out. I'm glad I did. The tenth floor of the Marriott was like a gold mine. All I had to do was walk down the hall to the next room, and more glorious sound awaited me.
Within minutes of running into Jeff Wells, new National Sales Manager for Spectron Audio, I found myself on the tenth floor of the Marriott. Playing my own version of pick a number, any number, I decided to check out the first room on my left. There, in a display sponsored by TweekGeek.com, I discovered two Spectron Musician III class-D amplifiers ($7195 each) driving SP Technology Revelation full-range speakers ($20,000/pair).
Something happened in the middle of the tenth floor. In the remaining rooms I visited to the right of the elevator—with apologies to all those systems I unintentionally missed due to the pathetic human limitation of being unable to be in three rooms at once—the sound was darker, less illumined, but nonetheless quite involving. This is actually a sound that large numbers of audiophiles prefer. It's a more seasoned and mellow sound, less apt to sound bright and edgy in live rooms, and closer to the sound in acoustically dampened environments. It's truly a case of different strokes for different folks.
There's nothing like being greeted as the audiophile equivalent of the Messiah to either make your day or impel you to run for cover. In the case of Peigen Jiang's Eficion speakers, I'm glad I got over my embarassment and stayed.