Jason Victor Serinus

Marten Mingus Quintet 2 loudspeaker, Jorma Power Filter and Statement cabling, and MSB M550 monoblocks

Ease was the order of the day in the Marten/Jorma room. Soprano Anna Moffo sounded just lovely, with superb air and open soundstaging, on an LP of her singing the "Jewel Song" from Gounod's Faust. Ditto for pianist Byron Janis, whose superb-sounding recording of Rachmaninov's Third Piano Concerto graced a prized Mercury Living Presence LP. Deserving of honor was Swedish manufacturer Marten's new Mingus Quintet 2 loudspeakers (€62,000/pair, equivalent to US$66,100). This replacement for the original Mingus Quintet boasts a new midrange driver, lower distortion, higher sensitivity, a new crossover, and a less resonant cabinet than the previous model.
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Three New Speakers from Raidho

At a well-organized Munich press conference, Danish speaker company Raidho, now owned by Dantax, introduced the successor to the X1, the Raidho X1t Super Mini Monitor (€5800, presumably for the pair and equivalent to US$6210). The speaker is equipped with the company's planar-magnetic ribbon tweeter, which claims 50 times less mass than conventional dome tweeters; a 5.25" tantalum-coated ceramic-on-aluminum midbass driver, which claims to raise breakup modes to 15kHz; and a rear port. Frequency range is 70Hz–50kHz, impedance >6 ohms, sensitivity 85dB, and black piano and white piano finishes.
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Burmester 151 MK2 MusicCenter streaming D/A preamplifier

Ah, domesticity. Just when I had the reference system sounding better than ever, the husband decided to relocate his electric keyboard and music stand, which had been positioned along the right wall of the detached music room, to the dining room in the main house. His reason was rational: While I did the reviewer thing in one space, he'd be free to practice keyboard and sing in another. But what was rational to him screwed with my reference sound and drove me to the brink of irrationality.
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Perfection with Wilson, Moon, Clearaudio, Hana, Kubala-Sosna, and Franc

Are we truly moving closer to the alpha and omega of high-end audio, or are we still at the beginning of an ever widening—some would say deviating—path that now includes virtual reality 360° listening, Dolby Atmos, Apple Immersion, and so much more. All I know for certain is that showgoers who visited Quintessence Audio's Perfection Audio when Wilson Audio's Sasha DAW speakers ($39,000/pair) had their grilles on came away with only a partial sense of all this system could accomplish.
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Wilson Audio Dances with Audio Research, Clearaudio, dCS, Transparent, and Critical Mass

Of Morton Grove, IL dealer Quintessence Audio's three rooms at AXPONA, those in the ground floor Knowledge and Perfection showrooms remained. Since it's hard to imagine Perfection without Knowledge, reality cast the die to first cover a superb Knowledge set-up that mated Wilson Audio Alexx V speakers ($135,000/pair, or $151,000/pair in the show pair's special finish) with Audio Research electronics (see below), Clearaudio Master Innovation Wood turntable with TT-MI linear tonearm ($62,000) and Clearaudio Goldfinger Statement MC cartridge ($17,500), dCS's new Vivaldi Apex DAC/Clock/Upsampler system ($90,000), Transparent XL cabling with PWX power ($73,985 total), and Critical Mass Maxxum component stands ($75,000).
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The McIntosh C12000 Preamplifier

"Cover McIntosh," Jim Austin wrote by text. "Sure," I replied. "But I don't see them listed in the show guide." "They're behind the escalator," Jim replied.

And there they were. Against a wall, with comfortable couches facing the system, McIntosh's Ken Zelin had set up a lovely system headlined by the new, two-piece McIntosh C12000 preamplifier ($16,000).

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