Herb Reichert

The Thiel TM3 loudspeakers ($3500/pair) looked extremely nice—but it was hard to listen. All I could think about was that girl on the poster's lips and the shadows on her cheeks. The cut angles on the TM3s seemed to match her face. And the flowers—I can't remember the last time I saw flowers in a CES room.

PrimaLuna products flesh out texture, hall sound, and instrumental color better than the tube amps of yore and on the scale of warm to cool, PrimaLuna is always exactly in the middle—as in Goldilocks' "just right." In fact, I would have to say that PrimaLuna's just-right neutrality is its #1 best trait.

Last year, I raved-reviewed the Hegel H160 integrated amplifier. It was probably the best all-around integrated amp I studied. I laughed that it had only two analog inputs but six assorted digital ones. I didn't laugh while the H160 grabbed every loudspeaker in my house by its cojones and gently forced the frightened cones to submit. Maybe it was the black mask faceplate or maybe was Hegel's SoundEngine technology. I don't know, but unquestionably, the H160's 150Wpc (into 8 ohms) had a very special way with speaker cones.

The surprising combination of the superb-sounding (but prototype) Technical Audio Devices Laboratories (TAD) loudspeakers with the wonderfully affordable Audio Alchemy electronics manifested some penetratingly beautiful Roy Orbison music.

I was out of audio, teaching and making art, for almost 12 years (2003–2014). During that time, on-line retailer Music Direct acquired the rights and relit the ancient Mobile Fidelity Sound Lab torch. Now both brands are burning more brightly than ever. I picked up the new ½"-thick Music Direct Catalog at CES and it reminded me ever so much of an audiophile version of the soft-porn Bruce Weber created for the Abercrombie & Fitch catalog. The Music Direct catalog (#16) has Grace Slick and Janis Joplin on the cover and tons of crazy (almost-naked) gear inside! I can't stop looking.

ELAC America introduced a new 100Wpc, class-A/B integrated amplifier with a switching power supply, the "Debut Series DA101EQ" ($499), which looked so Walter Gropius' Bauhaus: Moderne. I was deeply impressed by its industrial design quotient. Hidden inside its elegant 2.1-channel skin, the ELAC integrated includes an "Auto Blend" control feature that measures the nearfield response of your main speakers and subwoofer and then corrects phrase and adjusts crossover frequency to suit the listener's room.

GoldenEar was showing two new models at CES: the Triton 3+ ($2500/pair) and the larger Triton 2+ ($3500/pair). Both new GoldenEar loudspeakers have powered low-frequency drivers. The Triton 2+ and 3+ models both have new bass-mid drivers, new balanced crossovers, new bass tuning, and "new Triton 1 voicing!" Both models could move and handle like European race cars.