Herb Reichert

During these shows, I tend to move through the halls like an invisible force is pushing me. For each room I take a picture of the sign, walk in and do a fast calculation about where to get the best photo of the setup. Then I introduce myself to the proprietor and ask for a sheet with prices and the names of the gear being demonstrated. Then I listen, collect more data, and ask a few questions. After about the second or third question I say, "Thank you. Bye . . . gotta go! I have 50 more rooms to cover." Rolling, rolling, and rolling . . . keep them doggies rolling. But always I try to make time for people in the halls who say they read my writings. Two of those readers I chatted with asked if I had heard the new Spatial Hologram M4 loudspeakers ($1295/pair). They thought the Spatial room had the best sound at the show. I admitted I hadn't. Promised I would. And, I am glad I did.

When I first met Jeffrey Catalano, he used an AR-XA turntable, a Fisher 500C amp, and a pair of AR-1 loudspeakers. Nowadays, he always has a world-class super system. I love listening to records with Jeffrey and I always feel bad that my show reporting only lets me stay a short while in his High Water Sound room at a show.

Jason Victor Serinus, Sasha Matson, and myself spent crazy time before the show started talking, scheming and dividing up RMAF rooms. But, in the end, after hours of planning, I finally declared, "You two cover the audio rock stars, I'll go find the rooms of the lesser known, still unknown, or up-and-coming, exhibitors that may have not made show-report headlines in the past. One such newcomer was Dennis Fraker, of Serious Stereo ("We Build What It Takes"). . .

The beginning of every audio show is charged with a grinning ear-to-ear sense of audio-industry renewal, but the Rocky Mountain Audio Fest, which started today at Denver's Tech Center Marriott, always takes that hopeful charge to its highest level.

My girlfriend, "bb," a 6'-tall Aries artist, always says, "Math, science, religion, and even history, are all simply stories we tell ourselves about our experiences with a phenomenon we call energy."

My father, Herb Senior—the Deacon—always said, "The fundamental nature of the universe is vibratory—everything we experience is just waves!" He explained that waves—possessing power, amplitude, and frequency—are the basic building blocks of our reality. The universe actually "works" and is "comprehensible" because these waves are not random, but organized into exponential intervals called octaves. Our job, he told me, was to recognize and study this mathematical (and mystical) nature in action.

It's a shame that bb and the Deacon never met.

They played Dead Can Dance for me . . .