Herb Reichert

The one that has me the most stoked is the Rogers High Fidelity 65V-1 class-A, single-ended EL34/KT88 integrated amplifier ($3999). Not to mention: I have never seen an amp painted with industrial-black crinkle paint that I didn't love.

Both sides of the Atlantic are making tube products that (again) sound at least a little like actual vacuum tubes and less like high-strung solid-state racing cars. Both cultures now want genuine tube sound but demand 21st century tube longevity and reliability—and, of course, a discrete headphone amplifier.

Emotiva looked so direct-sales, street-wise smart—and everybody was talkin’ about how musical Emotiva’s stuff sounds: “It sounds good—and they're givin’ it away!” I couldn’t wait to try one of their products.

I visited the VTL room three times, collecting photos and data, and every time Luke was smiling his big Luke-smile: "Herb, how can I help you?" The room was well-lit—and yet I failed to get good pictures.

Perhaps because of Bent Holter's recent revision of his "distortion-reducing" SoundEngine technology, the elegant Röst drove the desktop-mounted KEF-LS50s with purity, lust, and musical authority…

Up and down the CES hallways, in line for coffee, and at every dinner, people kept asking, "Did you go to the MoFi room?…"

Rogue now introduces their first headphone amp/preamplifier, the RH-5 ($2495), which not only looks sleek and timeless in that oval-windowed Rogue way, it features three line-level RCA inputs and one pair of balanced XLR inputs.