Herb Reichert

Magic Picture Shows

Axiomatically, audiophile audio is about quality of reproduced sound. Experientially though—for me at least—it's about visions in the mind's eye. The older I get, the more attentively I listen to recordings, the more importance I assign to the myriad moving pictures I see between my speakers.
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Vivid Kaya S12 loudspeaker

Back when Steve Urkel (in the sitcom Family Matters, portrayed by Jaleel White) was showing everybody the best way to dress (and do property damage), my friend Ken Kessler, the high-level audio scribe at Hi-Fi News & Record Review, explained to me the secret of how to write a proper audio review: "Herb, the secret of writing an effective review is not to lose the reader in the middle." I took that to mean, put all the technological meat—and some tawdry stories—in the product description. Then sneak some spicy double entendre into the setup part.

Unfortunately, that strategy hasn't worked for me.

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Gramophone Dreams #58: Stax SR-X9000 headphones, EAR Phono Classic, Bob's Devices Sky 20 SUT

A month ago, I ran into my Russian neighbor in the hall. As usual, he asked me what I was reviewing. (Vladimir likes to come over and listen, then find fault with everything I play.) When I told Vlad I had Stax's new top-of-the-line earspeaker, the SR-X9000, he lit up and exclaimed, "I need to hear it," adding that he has been a lifelong Stax fanatic and owns at least five different models, "dating way back."
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Gramophone Dreams #57: Ferrum OOR headphone amplifier and HYPSOS power supply

I'm deep into audio power amplifiers because they remind me of race car engines. Both power sources are wildly inefficient, converting only a small percentage of their stored energy into work while dissipating the rest as heat and vibration. Mainly though, I love how race car engines sound. How they shake the air. Just like amps and speakers.
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Riviera Levante integrated amplifier

I remember, around the time I started at Stereophile, telling Art Dudley that I wanted to review "a lot of power amplifiers" because amplifiers are the "blood-pumping heart machines" that "reanimate the artistry" of musicians: Horowitz, Björk, Bill Monroe. Whereupon he looked over his glasses and spied me with bare eyes like a stern parent and said, "Just be sure to not review any amplifiers that weigh more than 65 pounds."
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Gramophone Dreams #56: Woo Audio 3ES preamplifier/headphone amplifier and Audeze CRBN electrostatic headphones

At noon on a cloudless, ridiculously bright 97° day, John Atkinson and I auditioned Audeze's new-but-not-yet-released CRBN electrostatic headphones. The audition took place at a sneak preview hosted by Audeze's principal, Sankar Thiagasamudram, in a sleeping room at New York's hipster-chic Ace Hotel on 29th Street and Broadway.
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Gramophone Dreams #55: Mola Mola Tambaqui D/A processor

Since the plague arrived, several of my closest audio friends have been chattering and bugging me constantly, not about masks, vaccines, Trump, or Biden but about Bruno Putzeys's digital-to-analog converter, the Mola Mola Tambaqui. They've been sending emails and texts like pesky kids:

"Herbie! Have you tried the Mola Mola? Come on man, what's taking you so long? Is Putzeys's DAC better than my MSB? Or the dCS Bartók? Or the HoloAudio May?"

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