Ken Micallef

Valerio Cora, Scott Walker, and Kevin Hayes—Acora Acoustics, Scott Walker Audio, and VAC—consistently deliver high-quality audio. Their setup in the ballroom and adjacent rooms at the Sheraton’s entrance showcased this. Don’t want to tangle with four floors of audio gear? These rooms offered an exceptional listening experience—no stairs required.

Gary Lea of Supreme Acoustic Systems graciously allowed me into his room pre-show, because he knows I am a horn-loaded loudspeaker fanatic. After one look at Odeon Audio’s German-made Semper loudspeakers ($49,900/pair), I had to contain myself.

Victor Kung was my virtual mom in Tampa, feeding me Ritz crackers, bananas, Cheerios, Kind bars, and delicious instant coffee when my energy flagged. Victor’s generosity was also on display in the lovely, tubed components he brought to his small room, easily one of my favorites of the show.

Hasn’t everyone owned a pair of Triangle speakers? Early in my audio journey, Triangle’s clean, precise, flowing sound won me over. Then the company seemingly disappeared. Well, they’re back, and FLAX 2025 showed them in prime stead, in yet another House of Stereo room.

Joe Parvey of Jacksonville’s House of Stereo and Chris Shaw of Focal Naim America had their sights set on something sleek, a room where listeners could focus on music without lifting a finger, literally and physically. That’s what digital is all about, right?

Reel Sound Distribution’s Jeff Garshon came fully armed to Tampa, with a Metaxas & Sins system that was both fantastic looking and sounding.

I’ve heard the new Oneiros speaker in three different rooms in New York City and thought I had their sound pegged. I was wrong.