Julie Mullins

Gryphon Audio Designs EOS 2 Prototype Loudspeaker, Gryphon Apex Amplifier and Rosso Cables

One of my first stops at the Munich show was to find out who made the shiny red loudspeaker shown in an atrium room—shown in the same room as the latest gargantuan Gryphon Commander preamplifier and Apex amplifier. The striking speaker was rotating on a round platform that you couldn't miss when you entered the room. Why the rotation? It was an attractive speaker from all angles. It, uh, turns out, it was indeed a Gryphon—the EOS 2, a prototype, as text in large letters beneath clearly stated.
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The IAG Room: Mission 770 loudspeakers, Luxman L-507Z integrated amplifier, Lumin U2 Mini, P1, L1, Luxman D-10X CD player/DAC, Vintage Thorens TD124 turntable

I went into a room looking for Lumin's latest components and found a broad range of gear, both classic and modern. The recently relaunched Mission 770 speakers demo'd in this room represent a prime example of heritage speaker revival. Behind this exhibit was International Audio Group (IAG), the company behind Mission and other British brands, such as Wharfedale, Castle, and Quad, as well as Luxman. Peter Comeau, IAG's director of acoustic design, gave me the download on the Mission 770 redux. He mentioned that he and John Atkinson had listened to 770 prototypes in 1978. (JA will be reviewing the new 770 in a future issue of Stereophile.) Comeau owned an original pair of the Mission 770s, so he knows all about them: "We used a lot of the same concepts but everything is now up to date to make them suitable for modern sources."
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Hegel Reference H30A Reference power amplifier, P30A preamplifier, KEF Reference 5 Meta loudspeakers, and Nordost cabling

My first stop in the Munich High End venue's huge halls, or Halles, was a treat—and not only because the Hegel folks had a box of Norwegian chocolate hearts to taste. Hegel introduced a couple of new analog components, the Hegel Reference H30A Reference power amplifier and the P30A preamplifier, which supersedes the P30 preamp. Hegel CEO, founder, and lead designer Bent Holter (right) was on-hand along with Anders Ertzeid "VP of This and That" (aka VP Sales and Marketing, left) to share details. The amp and preamp are both analog designs—the A stands for analog.
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Ortofon MC Diamond Cartridge, Audiovector R11 Arreté loudspeakers, TechDAS Air Force V Premium turntable, SME V tonearm, Einstein and Mark Levinson amplification

In the US market it isn't every day you see big, shiny red speakers—cars, yes—but less often flagship floorstanders. Here, a pair of tall, Danish flagships, the Audiovector R11 Arreté Titanium speakers clad in red enclosures graced the room. A model above the Audiovector R8 Arreté that Jim Austin reviewed, they use the company's Quasi Dual Drive Avantgarde Air Motion Transformer (AMT) tweeters.
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Dynaudio's Focus Series of Wireless Loudspeakers

Danish audio company Dynaudio launched a new trio of Focus wireless speakers in Munich. The company's show presence encompassed a larger-than-average-sized room, with another off to the side. There, Dynaudio Technical Trainer Otto Jorgensen (below) gave a presentation on the new Focus active speaker series: the 3-way Focus 50 floorstander ($11,000, presumably for a pair), the 2.5-way Focus 30 floorstander ($8250/pair), and the 2-way Focus 10 stand-mounted speaker ($5500/pair). This series supersedes the previous Focus XD speaker line.
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Chario Aviator Amelia loudspeaker

Great hi-fi can give you goosebumps. And it relates to another source of horripilation: live music, and its recordings. I've also always been a live music junkie—ever since I was a kid.

I was fortunate to have grown up attending the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra's "LolliPops" children's concerts. I'd seen some tepid live acts as a kid (ie, Donny and Marie). But nothing prepared me for my first rock concert. It, um, rocked my world.

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Re-Tales #21: Much a-tube about nothing?

Unless you live under a rock, you've followed Russia's invasion of Ukraine. You know something about sanctions against Russia and Russia's responses to those sanctions. If, in addition to not living under a rock, you're a tube-audio aficionado or electric guitar nut, you may have thought about a likely consequence of that war that's far less momentous than the destruction and carnage we see on TV: Will I be able to get new tubes for my amplifier? Especially those lovely Russia-made tubes.
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