Robert Baird

For fans, of course, he's never been gone, not even for a minute. A jazz pianist who played from the heart and spent a tumultuous life fighting his demons while searching, as singer Tony Bennett has often said, "for truth and beauty," Bill Evans is now the subject of four previously unheard, recently released titles, on LPs, CDs, and downloads, of live recordings of his music. There's also, from Mobile Fidelity Sound Lab, a new and superlative One-Step Process vinyl reissue of his classic Sunday at the Village Vanguard. Finally, there's a wonderful new documentary, Bill Evans: Time Remembered, a labor of love by a fan and titled for one of Evans's best-loved tunes. And, unlikely as it sounds, the demand for Evans's music is still strong enough to inspire a controversy over rights and clearances, 37 years after his death, in 1980, at the age of 51.

His finest moments came just after the death of brother Duane in 1971 and then-bassist Berry Oakley a year later.

Another week, another beautiful-sounding, wonderfully packaged reissue from Analogue Productions.

Was just listening to the deluxe edition of Singles: Original Motion Picture Soundtrack, which is to be released tomorrow, May 19, when the news of Chris Cornell's unexpected death was announced. Very sad news and our sympathies go out to his family and all who loved his music in Soundgarden and Audioslave, and on the solo records.

On Small Town, Bill Frisell's latest album, a program of duets with bassist Thomas Morgan recorded live at the Village Vanguard in NYC and produced by the founder, owner, and visionary behind ECM Records, Manfred Eicher, Frisell again shows his affinity for American roots music.

The final utterance of a great band dissolving has completely stood the test of time.

Fitzgerald's influence on jazz vocals, celebrated in a flurry of reissues from Universal Music, is almost unimaginably vast.