Kalman Rubinson

Iván Fischer: The Maestro on Multichannel

Iván Fischer, founder and conductor of the Budapest Festival Orchestra, has performed with many major orchestras and recorded for a number of major labels, most significantly with Philips, from 1995 to 2004. Fischer/BFO made the first multichannel orchestral recording for SACD, which Philips used as a demonstration disc for their first SACD players. I still treasure that disc—it demonstrates many of the advantages of the medium with a wide and varied program—but it has never been commercially released.

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Pioneer S-1EX loudspeaker

One of the highlights of such annual events as the Consumer Electronics and Primedia Home Entertainment shows has been the demonstrations of loudspeakers from TAD, the professional division of Pioneer Electronics. Designer Andrew Jones is always generous in using recordings brought by visitors, and enthusiastic in explaining the technology behind these beautiful behemoths. Among these speakers' unique features are a beryllium dome tweeter mounted concentrically inside a beryllium midrange cone, and a cabinet built of stacked, carved horizontal sections, for incredible rigidity without using exotic materials or excessive mass. The concentric upper-range driver is a reminder that, some time back, Jones worked for KEF, where the coaxial UniQ driver was developed, but the materials and details of the TAD drivers are all new. While the TAD Model 1s are always good for musical and audiophile thrills, their price is in the upper five figures, which put them out of serious purchase consideration.

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Classé CA-3200 three-channel power amplifier

The last Class&#233; power amplifier I reviewed, back in November 2004, was the imposing <A HREF="http://www.stereophile.com/solidpoweramps/1104classe">Omega Omicron</A> monoblock ($20,000/pair), which made glorious sound with the <A HREF="http://www.stereophile.com/floorloudspeakers/302">Revel Ultima Studio</A> speakers. But things change. First, my reference speakers are now <A HREF="http://www.stereophile.com/floorloudspeakers/1205bw">B&W 802D</A>s. Second, my system now has <I>three</I> front speakers, supplemented by two B&W 804S speakers for surround sound. While a quintet of Omicrons would undoubtedly be dandy, five such monoliths would take up so much space that I'd be wondering about their effects on the room's sound. With so many channels, it seemed time to investigate whether a multichannel amp could carry the load.

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Music in the Round #22

California company Now Hear This (NHT), which has been around since 1986, has always taken a no-nonsense route based on good engineering principles and innovative thinking. Two of their strikingly good ideas were the use of side-firing woofers, and integrating an active subwoofer with a pair of small monitor speakers. Both philosophies culminated in the Xd series of DSP-EQ'd active loudspeakers, which I had the pleasure of <A HREF="http://www.stereophile.com/standloudspeakers/1105nht">reviewing</A&gt; in the November 2005 issue. My first reaction to the concept was "Why hasn't anyone done this before?" The results completely justified an approach that, I believe, points loudspeaker design in a new direction.

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Dynaudio Gets High-End Sound from the iPod

At the Las Vegas Convention Center, Dynaudio was showing&mdash;and playing&mdash;its new self-powered MC15 mini speakers. In three setups, they were connected to a laptop, a gaming console and an iPod dock, each setup clearly indicating that its high quality sound was an improvement over the usual powered computer speakers. Sporting a 6" woofer, an Esotec soft-dome tweeter (with 1st-order crossover at 1.5kHz), and a pair of 50W amps, this $1299/pair package, including elegant table mount, would be even more suitable as the basis of a deskop system with a good disc player.

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Jonathan Scull—Demagnetize This

Erstwhile <I>Stereophile</I> scribe Jonathan Scull, now firmly established in the worlds of public relations and marketing, conducted an in-room presentation of new Furutech products including an LP flattener, an LP demagnetizer and, with especial relish shown in the picture, an LP degausser. Also, shown were some beautiful AC receptacles and &#60;$100 power cords with various connectors. Beautiful stuff.

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New from Vienna

Photographed by Jason Victor Serinus in the Sumiko room on the 35th floor of the Venetian Hotel, this is the prototype of a new flagship speaker from Vienna Acoustics. Its signature elements are an innovative coaxial midrange/tweeter with a flat, reinforced, flat diaphragm for the midrange to eliminate any horn effect on the tweeter dome and an ultra HF unit to optimize polar response in the upper range. Note that the upper enclosure can be aimed to improve imaging.

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Music in the Round #21

I've been tweaking my weekend multichannel system for years, but with my city system I've kinda faked it. I now realize that I listen more actively to the weekend system, and not only because that's when I have the time for it&mdash;the sound of that system is simply more engaging and psychologically immersive. So, with the growth of my library of SACD and DVD-Audio recordings to almost half the size of my CD collection, I told my wife that it was time to transform of "our" city stereo rig into a full-blown multichannel system.

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Simaudio Moon Evolution P-8 preamplifier

The P-8 ($11,000) is the second of Simaudio's Moon Evolution series that has passed through my system, following on the heels of the Moon Evolution W-8 power amplifier, which I <A HREF="http://www.stereophile.com/solidpoweramps/306sim">reviewed in March 2006</A>. Fortunately, the P-8's arrival preceded the W-8's departure, so I was able to use them together as well as with other components.

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Music in the Round #20

Bryston describes its SP2 multichannel preamplifier-processor ($4995) as consisting of a stereo analog preamp with a volume-controlled 5.1-channel analog pass-through plus a full-featured multichannel digital audio processor, and claims that none of those functions compromises any of the others. The analog preamp is fully equivalent in features and performance to their BP26 preamp. The digital processor includes all the latest Dolby Digital, DTS, and THX modes, and is based on Texas Instruments' powerful Aureus DSP chip, which can be updated via an S/PDIF input. The digital and analog sections have independent power supplies, and there are no video inputs or functions other than a control port for the optional, external SPV-1 video switcher.

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