Kalman Rubinson

The name Tannoy is, of course, synonymous with "Dual Concentric" and their classic designs were in full display and demonstration. Off to the side, however, they were showing their new Precision range of more affordable designs, which are based on a new implementation of the Dual Concentric concept in a 6" driver that incorporates a wide-band tweeter.

Another big name makes the move into wireless speakers with Focal's announcement of the Easya. It is a floor-standing 2½-way system which comes as a pair, with its hub/controller and remote control, for just $1799. Available colors are a snazzy gloss white or black and it sports an inverted-dome tweeter and a pair of 5" polyglass-cone drivers. Inputs are TosLink, coax and USB inputs as well as analog. Better yet, it sounded like a Focal . . . but, look Ma, no wires!

The Jade 7 from Wharfedale was very favorably reviewed by Bob Deutsch in Stereophile's May 2013 issue but at the 2014 CES I got to see and hear the new little brother, the Jade 1. Surprisingly, this smaller and stand-mounted speaker is also a 3-way with the same drivers, aperiodic loading and crossover technology. It certainly sounded similar, balanced and full down into the real bass. It also was finished just as luxuriously. Looks like a great value in a high-end speaker for $1200–$1400/pair, depending on your choice of finish.

Make It Simple. . .
Ah, for the old mono days. I remember assembling my first audio systems in my early teens and as a novice—things were easy. My first amp had four RCA input jacks, each clearly labeled and corresponding to an identically labeled setting on the input selector switch. There were screw-down speaker connectors for 4, 8, and 16 ohms, and ground. Tape output was defaulted to whatever input I was listening to. The amp had but four knobs: Input Selection, Volume, Bass, and Treble. And although it would seem almost impossible to go wrong, I did exercise focus and care as I tended to my first setup.

Sonus Faber is an iconic Italian high-end company whose loudspeakers have always evinced innovative technical design, superb construction, spectacular appearance, and great sound. I was intrigued with the design and performance of their stand-mounted Extrema (reviewed by Martin Colloms in the June 1992 Stereophile, Vol.15 No.6), which combined a proprietary soft-dome tweeter and a mineral-loaded polypropylene-cone woofer with an electrodynamically damped but passive KEF B139 driver that occupied the entire rear panel.

I don't think that the Bowers and Wilkins 804, in any of its incarnation, gets its due respect. As the smallest floorstander in B&W's elite 800 series, it has historically been overshadowed by its larger brethren and outmaneuvered by the smaller, stand-mounted 805. However, the 804 Diamond is unique, and deserves special attention for reasons I discovered when I chose the earlier 804S for the surround channels of my 5.1-channel surround system.

Sometimes, things happen so fast it's almost unsettling. DSD is the high-resolution recording format used on SACDs and I closed my May column with the expressed hope that the exaSound e18 multichannel DAC would eventually be able to decode DSD data, that Oppo would implement DSD streaming in its universal players, and that I'd be able to get my hands on a working trio of Mytek DSD DACs. I didn't expect that, even before that issue went to press, I'd have to add a footnote (p.61) indicating that stereo DSD streaming was a reality for the exaSound e18, and that Oppo had made available "test" firmware to empower their universal Blu-ray players for stereo and multichannel DSD. On March 26, Oppo publicly announced that this DSD capability was part of the comprehensive "Public Beta Test Release" made available that day. Then, with the May issue not yet hitting the streets, I got a proper multi-Mytek setup. I had a lot of catching up to do.