LATEST ADDITIONS

FM radio, once the mainstay for those seeking exposure to new music, is under attack from satellite radio, Web radio, and corporate playlists. Do you still listen to FM radio?

Released in July, <I>Live at Otto's Shrunken Head</I> (STPH020-2) is the latest Stereophile CD from reviewer Bob Reina's jazz quartet, Attention Screen. Unlike the group's first CD, <A HREF="http://www.stereophile.com/musicrecordings/907att"><I>Live at Merkin Hall</I></A> (STPH018-2, released in 2007), which was recorded with multiple microphones, I captured the eight improvisations on <I>Live at Otto's</I> using a single pair of mikes.

On June 2, <I>Stereophile</I> reported that HDGiants.com, formerly known as MusicGiants.com, had <A HREF="http://www.stereophile.com/news/bust_and_booms_on_the_download_front/">… for Chapter 11 bankruptcy</A>. The future of the high-quality music and video download site that had most recently begun offering "Super HD" 24-bit surround-sound downloads was unclear.

Back when there were bricks-and-mortar retail record stores to speak of in tenses other than past, I used to participate in new-release conferences. Retail-store buyers&#151;the people who decided whether consumers would see your CDs as they browsed in the stores&#151;would gather at a nice destination, such as Lake George, New York. The various labels would then make presentations about their upcoming new releases.

A new integrated amplifier called the Lars Type 1, which made its debut at the <A HREF="http://blog.stereophile.com/ces2009/lars_by_lars">2009 Consumer Electronics Show</A>, has given my notion of a dichotomy between mainstream audio and alternative audio a severe beating. In that sense, the Lars Type 1 has been a life-changing product, although the change took longer than expected for me to digest.

Trumpeter Dave Douglas’ new album, <I>Spirit Moves</I>, featuring his Brass Ecstasy quintet, is a rouser: hot, cool, raucous, pensive, sometimes all at once, and always a lot of fun. The band’s name is a play on the late Lester Bowie’s Brass Fantasy, and they share a similar hard-blowing vibe—as well as two of the players (Luis Bonilla on trombone and Vincent Chancey on French horn)—but where Bowie used the band to riff on the pop tunes of the day (long before The Bad Plus), Douglas’ sources are mainly original tunes with a zesty swing and a dash of his trademark Mediterranean melancholy.

Seems to me most musicheads always have a reserve of bands, solo artists, string quartets, jazz soloists that they know but haven’t really seen or connected with. You know `em but you don’t.

I woke up this morning with a couple of sweet lines playing themselves over and over in my mind. The doctors and scientists call this phenomenon an <i>earworm</i>, which is an entirely unpleasant term. Isn't it? I mean, I would never want an <i>earworm</i>, but I don't at all mind the sound of pretty words running through my head.

The Jazz Journalists’ Association held its annual awards bash this week, honoring musicians and their work for the period from March 2008 to March 2009. Here’s who won in each of the major categories, followed by who got my vote and why.

Hi. I turn my back on my computer screen to look through my office window and see that it is once again pouring rain. This is the 567th consecutive day of rain in New York City. What the hell is going on? Is this some sort of end-of-the-world business?