Welcome to Warsaw!
Take 5 Show Report
Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Jack Stoughton Jr. Interview at The Vinyl Summit, Day3
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
See How the New HumminGuru NOVA RCM Cleans an LP!
Pure Sound Time | Revel Performa4 Bookshelf Loudspeaker
Chad Kassem Tells Us What to Expect at The Vinyl Summit
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026

LATEST ADDITIONS

At the Monkeyhaus

The quiet evenings leading up to a DeVore Fidelity Monkeyhaus event are passed by searching through your record collection for the perfect LPs. Every attendee will offer their own ideas of interesting and exciting music, and you will not be outdone by some other audiophile. You decide to bring one of your 2009 R2D4 selections, Lo Dice Todo by Grupo Folklorico y Experimental Nuevayorquino; Richard Hayman's Genuine Electric Latin Love Machine, not only for the persuasive content but also for the outstanding album art; and El Guincho's Alagranza! because you're pretty certain it'll shock and impress the crowd.
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Dreaming of Cleaning

If you visit our <a href="http://www.stereophile.com/news/">News Desk</a>, you'll find my announcement of Michael Fremer's latest DVD, <i><a href="http://www.stereophile.com/news/itsa_vinyl_world_after_alli/">It's A Vinyl World, After All</a></i>. While Michael offers an entertaining look into the world of vinyl manufacturing and provides tons of valuable information on record collecting, handling, cleaning, and storage, I did have one minor criticism:

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Home Theater vs High-End Audio

<I>A hot topic for discussion in recent issues of </I>Stereophile<I> has been the impact Home Theater has had on the High End. Some of the magazine's contributors&#151;<A HREF="http://www.stereophile.com/asweseeit/693awsi">J. Gordon Holt</A> and Corey Greenberg, for example&#151;have written that the advent of Home Theater means that we should expand the audio context of the magazine to include reviews of video components (footnote 1). Others, including Bob Harley, Tom Norton, and <A HREF="http://www.stereophile.com/asweseeit/393awsi">myself</A&gt;, feel that we should <A HREF="http://www.stereophile.com/features/68">stick to what we know</A> and love&#151;audio&#151;and enter the new field only to advise </I>Stereophile<I>'s readers on how to achieve the best sound from a Home Theater system. However, missing from the debate in our pages so far have been any comments from those in the business of selling and demonstrating high-end products and, increasingly, Home Theater systems. Accordingly, this month I am running a guest editorial from a man who perhaps typifies the high-end, specialist retailer: Ken Gould of Audio Nexus (footnote 2). Please note that Mr. Gould's opinions are his own and do not represent those of the magazine.</I>&#151;<B>John Atkinson</B>

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Tolliver & Moran Do Monk at Town Hall

It’s a bad idea to gin up expectations, but two concerts this week at Town Hall in New York City are worth the risk. Each commemorates Thelonious Monk’s big-band concert at the same Town Hall on Feb. 28, 1959—exactly 50 years ago—but in very different ways. This Thursday, Feb. 26, Charles Tolliver leads a 10-piece band on a straightforward (if that word can describe anything related to Monk) re-creation of the concert. The next night, Feb. 27, Jason Moran leads an octet on a bold re-conceptualization of the event, a sort of post-modern audio-video collage that aims to capture the spirit of Monk’s music while also tapping into its hidden roots and their links to Moran himself.

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