Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Welcome to Audio Advice Live 2026!
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
ModWright Does it Right at SouthWest Audio Fest 2026
Semrad Audio and EM/IA Salute Big Horns and Tube Amps at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

On The Bus

Wes Phillips, Stephen Mejias, and Kal Rubinson join San Antonio, Texas retailer Galen Carol on the way to the Venetian. As Galen explained to us, high end retailing is a bit of a challenge, but still viable to dealers that take care of their customers and offer old fashioned service.

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Cambridge Audio Does Vinyl

I was excited to see Cambridge Audio's TT50 turntable. On display with their small, S30 loudspeakers ($259/pair), the TT50 was looking pretty darn sexy in its high-gloss jet-black finish. If it reminds you of Pro-Ject's popular Debut III, that's probably because the TT50 was developed in partnership with that Austrian firm. It uses a proprietary tonearm, an Audio Technica AT95E moving magnet cartridge, and its elastomer-coated acrylic platter is said to "control resonance and provide matched acoustic impedance to the vinyl record for maximum detail retrieval."

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Magic

The Jadis magic is hard to explain. But once you hear it, you can recognize it again and again. It has to do with the beauty of the midrange, the accuracy of timbres, and an inherent musicality that is less about detail than essence.

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The Hallographic Dead (bad pun)

One of the highlights of RMAF 2007 was encountering Lou Hinkley's Daedalus Audio Ulysses loudspeakers ($8800/pair) in the ART Audio room. Here, paired with Gill Audio Designs Alana preamp ($5000) and Elise DAC ($6000), an Ensemble transport, Clayton M-200 power amps ($9500/pair), and relatively inexpensive Empirical Design cabling, the system was arresting in its transparency and three-dimensionality.

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