Estelon at Audio Video Show Warsaw 2026
Silent Pound at Audio Video Show Warsaw 2026
Welcome to Warsaw!
Take 5 Show Report
Jack Stoughton Jr. Interview at The Vinyl Summit, Day3
Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Pure Sound Time | Revel Performa4 Bookshelf Loudspeaker
See How the New HumminGuru NOVA RCM Cleans an LP!
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026

LATEST ADDITIONS

Transrotor Artus

I have seen few turntables, no <I>any</I> mechanical devices more likely to induce flat-out gadget lust than the $150,000 Transrotor Artus. It has a magnetically coupled drive assembly, which means no points of contact between motor and platter. It's machined from solid billets of high-grade aluminum, finished to an impeccable sheen. Its deck is gimbal-mounted to freakishly huge counterweights for absolute level and stability (think gyroscope here). Its power supply uses something called "Konstant M3," which I gather is pretty special, but my limited German and the Transrotor rep's far less limited English prevented me from determining in what way.

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Motian the Magician

I don’t know what Paul Motian’s doing, I don’t understand how he’s doing it, all I know is that it’s wonderful. I’ve just returned from seeing the Motian 3 at the Village Vanguard, a high-powered trio that consists of Motian, Jason Moran, and Chris Potter (and no bassist to hold the anchor). Moran, just shy of 33, is, as I’ve written many times, the most extraordinary jazz pianist around. Potter, 37, as I’ve noted a couple times, is a tenor saxophonist with a galvanic tone and fleet agility. But Motian, at 76 (older than both of his trio mates combined, playing topnotch jazz since his days with the Bill Evans trio a half-century ago, and more combustive now than ever), is the heart-racer.

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Hansen Audio's Prince

It was midday at the Venetian and show traffic was intense when I squeezed into the Hansen Audio suite. Despite noise from the outer hall and chatter in the back of the room, the several listeners seemed swept away by Natalie Merchant's voice. Her warm wishes were followed by Aaron Neville's "Goodnight," a blanket of voices with impressive clarity seeming to wrap around the entire room.

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