Estelon at Audio Video Show Warsaw 2026
Silent Pound at Audio Video Show Warsaw 2026
Welcome to Warsaw!
Take 5 Show Report
Jack Stoughton Jr. Interview at The Vinyl Summit, Day3
Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Pure Sound Time | Revel Performa4 Bookshelf Loudspeaker
See How the New HumminGuru NOVA RCM Cleans an LP!
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026

LATEST ADDITIONS

Lyngdorf Server 1

The Lyngdorf Server 1 is a music and video server had us drooling. Lyngdorf, of course, loves to keep signals digital until the last millimeter, building DACs into their active DSP-driven loudspeakers. The Server 1 sounded great—there was just one problem: It isn't available. Yet.

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On The Bus

Wes Phillips, Stephen Mejias, and Kal Rubinson join San Antonio, Texas retailer Galen Carol on the way to the Venetian. As Galen explained to us, high end retailing is a bit of a challenge, but still viable to dealers that take care of their customers and offer old fashioned service.

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Cambridge Audio Does Vinyl

I was excited to see Cambridge Audio's TT50 turntable. On display with their small, S30 loudspeakers ($259/pair), the TT50 was looking pretty darn sexy in its high-gloss jet-black finish. If it reminds you of Pro-Ject's popular Debut III, that's probably because the TT50 was developed in partnership with that Austrian firm. It uses a proprietary tonearm, an Audio Technica AT95E moving magnet cartridge, and its elastomer-coated acrylic platter is said to "control resonance and provide matched acoustic impedance to the vinyl record for maximum detail retrieval."

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Magic

The Jadis magic is hard to explain. But once you hear it, you can recognize it again and again. It has to do with the beauty of the midrange, the accuracy of timbres, and an inherent musicality that is less about detail than essence.

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