Cambridge Audio Rocks and Rules in a Fidelity Imports Room at Audio Advice Live 2026
Fyne Audio and Harmonia Distribution are in Fine Harmony at Audio Advice Live 2026
Welcome to Audio Advice Live 2026!
Reference Analog Shares All the Right Reference Points at SouthWest Audio Fest 2026
The Top Turntables, Tonearms, and Cartridges of SouthWest Audio Fest 2026
Scott Walker Audio Takes It From the Top at SouthWest Audio Fest 2026
See How the Degritter Mark II Ultrasonic RCM Cleans an LP!
ModWright Does it Right at SouthWest Audio Fest 2026
Semrad Audio and EM/IA Salute Big Horns and Tube Amps at SouthWest Audio Fest 2026
Audiophile Newbies Shocked by SRPs at High End Vienna!

LATEST ADDITIONS

Siltech Debuts the Pantheon Loudspeaker

The invitation looked intriguing: "We are happy to welcome you to The Netherlands in September for the offical introduction of the Siltech Pantheon Loudspeaker." <A HREF="www.siltechcables.com">Siltech</A&gt; introducing a loudspeaker? I was well familiar with the Dutch company, celebrating its 25<SUP>th</SUP> anniversary next year, as a cable manufacturer. Indeed, some of the first high-end cables I had found to sound better than what I had been used to were Siltechs, back in the mid-1980s. Paul Bolin had been impressed by his <A HREF="http://www.stereophile.com/cables/1004siltech">auditioning of more recent G5 models in 2004</A>. And Siltech's founder, Edwin van der Kley, is married to the irrepressible Gabi van der Kley, principal of Crystal Cable with whom I had had a rather intense breakfast meeting with during last May's <A HREF="http://blog.stereophile.com/he2007">Home Entertainment 2007</A>. (<I>All</I> conversations with Gabi are intense.) But loudspeakers?

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Disney, Microsoft, Others Take a Copyright Stance

A consortium of media and Internet companies announced a set of guidelines to protect copyrights online on October 19. Among the group, which has been negotiating for nine months, were Walt Disney Co.; Microsoft; NBC Universal; Viacom, Inc.; CBS Corp.; News Corp.'s MySpace and Fox constituents; Veoh Networks, Inc.; and Dailymotion S.A. Noticeable for its absence was Google, including YouTube, which has recently been sued for $1 billion for infringement by Viacom.

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Harman Buyout Ends in Settlement

When Kohlberg Kravis Roberts & Co. and Goldman Sachs decided to <A HREF="http://stereophile.com/news/092407harman/">call off</A> their <A HREF="http://stereophile.com/news/043007harman/">projected $8 billion takeover</A> of Harman International Industries, Inc., industry experts predicted the audio company would take the two financial firms to court, if not to gain the $225 million termination fee, to force them to abide by their material adverse effect statement and complete the transaction.

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An Anti-Audiophile?

I was visited yesterday by Steve Krampf, CEO of Chestnut Hill Sound and designer of the George sound system. As we walked from our 6th floor lobby down the long hall to my office, the conversation somehow turned to various loudspeaker drivers. (That's just something that happens when you're in our office.)

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Sandbox Soldiers

I've written before about my immense regard for Garry Trudeau's <I>The Sandbox</I> milblog. Today, Owen Powell (<I>aka</I> SGT Roy Batty) posts about his experiences in DC promoting the book <I>Dunesbury.com's The Sandbox</I>, visiting the Pentagon, the Vietnam memorial, and Walter Reed Hospital.

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Tatum & Webster at 45 (rpm)

Audiophiles well know the glories of a 12-inch slab of 180-gram virgin vinyl cut for 45-rpm playback. Compared with a normal LP’s 33-1/3 revolutions per minute, the grooves on a 45 are stretched out over a wider space, allowing the stylus to track them more accurately and to give voice to the music’s minutest details. The non-‘philes among you may be shaking your heads (<I>Oh, no, Is this guy a nutball?</I>) but, believe me, it’s true. A few years back, Classic Records, Mike Hobson’s L.A.-based audiophile label, put out a series of limited-edition <I>single-sided</I> 45 rpm LPs, one album stretched out on four slabs of vinyl, each of which had grooves on one side but <I>nothing</I>, just plain black vinyl, on the other. The theory was that a perfectly flat bottom surface would couple more firmly to the turntable’s mat, eliminating the distortion of vinyl resonances. That may sound nuttier still, but, believe me, it’s true, too. (I’ve compared single-sided and double-sided 45 rpms of several albums that Hobson released in both formats—especially Sonny Rollins’ <I>Our Man in Jazz</I> and the Chicago Symphony’s performance of Prokofiev’s <I>Lt. Kije</I>, conducted by Fritz Reiner. The differences were not subtle. I value those albums as much as any in my collection, for musical and sonic reasons.)

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