LATEST ADDITIONS

Audiophiles of a certain age may very well have first tasted high-end sound by way of Linn's 1972 <A HREF="http://www.stereophile.com/turntables/1103linn/">Sondek LP12 turntable</A> and/or Naim's 1982 <A HREF="http://www.stereophile.com/integratedamps/660/">Nait integrated amplifier</A>. There aren't many audio manufacturers that have managed to keep components in production for 25 years (35 for the Linn), but the two venerable British designs have been continuously upgraded over their lives, keeping them competitive.

John Atkinson forwarded a message to me on February 26 from reader Peter Clissold: "The Miller and Kreisel website is indicating that operations there are closed."

As a reviewer who has focused on seeking out high-quality audiophile gear for cost-constrained readers, I'm embarrassed to say that the flagship RB-991 stereo amplifier is the first Rotel product I've had in my house. (To be fair to myself, this 38-year-old family-owned company did not develop a large US market presence until this last decade.)

<I>Flip flip flip</I>]...Where the heck is it?...[<I>flip flip flip</I>]...Got it!" What am I looking for? There, in black and white, on p.634 of J. Gordon Holt's <I>Really Reliable Rules for Rookie Reviewers</I> (footnote 1), is the Prime Directive On Loudspeaker Setup: "Never, ever, choose a loudspeaker that has too much bass extension for your room!"

What's 1/16" narrower, over 1/2" shallower, and 3/16" higher than the <A HREF="http://www.stereophile.com/floorloudspeakers/1190mirage">Mirage M-3</A> loudspeaker? The new Mirage M-3si, that's what. Though the published dimensions for the old and new speakers are the same, my eyes told me there was a difference between them when I had them side-by-side in my listening room in Santa Fe. Being the compulsive type, I got out my trusty tape measure. No, my eyes had not deceived me&mdash;the M-3si <I>is</I> skinnier and taller. As I waltzed them into position, I sensed they weighed about the same as their predecessors; close enough that setting them on Arcici Super Spikes is a two-man operation. Though either speaker makes a definite presence in a room, I still find their high-gloss, black finish (the only finish available) unassuming, attractive, and elegant.

For now, at least. First, a nice summation from <A HREF="http://enjoyment.independent.co.uk/music/features/article2316883.ece"><… Independent</I></A>. Then, follow the external link to Denis Dutton's conclusion that Barrington-Coupe's "I did it for love" defense just doesn't wash. His conclusion: "Based of a reading of her letters to critics and her radio interviews, it is my considered opinion that Joyce Hatto, in addition of being a lively, chirpy, witty, bright and positive person, was also a pathological liar."

Bagheera calculates a trajectory.