ADMD Audio Technologies at Audio Video Show Warsaw 2026
Cool Gear Seen at Audio Video Show Warsaw 2026
Innuos at Audio Video Show Warsaw 2026
Estelon at Audio Video Show Warsaw 2026
Silent Pound at Audio Video Show Warsaw 2026
Take 5 Show Report
Welcome to Warsaw!
Jack Stoughton Jr. Interview at The Vinyl Summit, Day3
Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Pure Sound Time | Revel Performa4 Bookshelf Loudspeaker
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
See How the New HumminGuru NOVA RCM Cleans an LP!

LATEST ADDITIONS

Industry Update

<B>Amina Tech Plaster-In-Walls:</B> <A HREF="http://www.amina.co.uk./"&gt; Amina Technologies Ltd.</A> of Huntingdon, England is introducing its Plaster-In-Wall speakers to the American market. The Plaster-In-Walls employ NXT-patented high-power flat diaphragms to create "undetectable in-wall or in-ceiling speakers." NXT technology is said to offer improved dispersion characteristics over conventional speakers, making location and listening position far more flexible, according to Amina.

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Nonesuch Donates $1 Million to Katrina Relief

On August 29, Nonesuch Records gave its first donation of $1 million to Habitat for Humanity International. The funds, raised in only eight months through sales of 150,000 copies of Nonesuch's superb benefit album <I>Our New Orleans 2005</I>, will be used to build homes for displaced musicians and others in the New Orleans Habitat Musicians' Village, whose centerpiece will be the Ellis Marsalis Center for Music.

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Katrina: One Year Later

Photographer David Burnett has posted his series of photographs of the Gulf coast, taken last January and published in the new <I>National Geographic</I>. It's stunning stuff. Burnett has the eye for both the big picture and the telling detail&mdash;his photo of the refrigerator-magnet&ndash;covered car of a worker at the garbage dump where they destroyed "white goods" is surprisingly touching and human, even though no people are shown.

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