ARCAM Cinema 30s 16x9 US Online
Ola's latest report from Audio Video Show Warsaw 2026
Pure Sound Warps Time | Revel Performa4 Floorstanding Loudspeaker
Ken Micallef interviews YG's Matthew Webster in Warsaw
ADMD Audio Technologies at Audio Video Show Warsaw 2026
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Innuos at Audio Video Show Warsaw 2026
Estelon at Audio Video Show Warsaw 2026
Silent Pound at Audio Video Show Warsaw 2026
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Take 5 Show Report
Mastering Engineer Ryan K. Smith Interview at The Vinyl Summit, Day 2
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts

LATEST ADDITIONS

These Are Not the Words to this Song

Funny thing about carting a $1600 amplifier down these New York City streets during the evening rush: People just don't give a crap; they'll run you over. No problem. In fact, I was almost shown to that great, big listening room in the sky by an SUV (with Jersey plates, of course) just outside Herald Square. And try getting a $1600 CD player through the PATH station turnstiles; there's no special "Hi-Fi Entrance" down there. You're left to your own devices. I employed the lift and twirl method, but only after realizing that the push and shove method wasn't going to work.

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New Legislation Proposed to Restrict Fair Use

On our regular visit to the Electronic Freedom Foundation's (EFF) <A HREF="http://www.eff.org/deeplinks/archives/004340.php"><I>Deep Links</I></A> website last Friday, we were alarmed to learn of proposed US Senate broadcast flag legislation that includes provisions to limit fair use to "customary historic use of broadcast content by consumers to the extent such use is consistent with applicable law."

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Requiem For a Record Store

On Friday, January 20, five different friends forwarded Chris Morris' <I>The Hollywood Reporter</I> column on the closing of LA's Westwood Boulevard Rhino Records store. Established in 1973, the record store closed its doors on January 19 (although it staged a parking lot sale on January 21 and 22). Rhino owner Richard Foos blamed the store's demise on a number of factors, including pricing competition from national chains, the lack of demand for "a physical product," and "too many other things to do and too many ways to get your music without paying $18 for a CD."

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