LATEST ADDITIONS

The Bozak Concert Grand is a loudspeaker dreams are made of. I was just a boy, but I remember to this day the impressive pictures of them in <I>Audio</I> magazine. I thought they must be the best loudspeakers ever made because they were so <I>big</I>&mdash;they would let more of the music come out. I suspect the Bozaks beckoned to me in some primal way, just as those giant construction trucks do&mdash;the ones that have tires bigger than a man.

Although you're reading this in October, I had to write it in the middle of summer's dog days&mdash;what Washington journalists used to call "the silly season," not so much because there's anything inherently funny about August, but because, in pre-AC DC, all the legislators went home then to escape the heat and humidity, leaving the press corps with little to write about other than "man bites dog" stories.

<B>THELONIOUS MONK QUARTET WITH JOHN COLTRANE: <I>At Carnegie Hall</I></B><BR>
John Coltrane, tenor sax; Thelonious Monk, piano; Ahmed Abdul-Malik, bass; Shadow Wilson, drums<BR>
Thelonious/Blue Note 35173 (CD). 2005. Michael Cuscuna, T.S. Monk, prods.; unknown eng. AAD. TT: 51:36<BR>
Performance <B>*****</B><BR>
Sonics <B>***</B>

While nobody can replace your own ears for making an audio decision, folks do find certain reviewers helpful. Who is your favorite audio reviewer and why?

I was thinking about it this morning, and yes: a blog is a terribly pretentious thing.

We spent the day proofing copy for the December issue, which ships tomorrow and Friday (and maybe a little on Monday, if we're not good). Despite how simple that may seem, it's not exactly easy to just read and read and read, drawing red circles around silly apostrophes and bad italics.

"Stephen, how come you like such pretty music when you’re in such a loud and raucous band?"<br>