Pure Sound Warps Time | Revel Performa4 Bookshelf Loudspeaker
Vinyl Bliss: Discover Your Music Universe at Absoulute! #shorts
Klipsch Trumpets 80th Anniversary Klipschorn Loudspeaker at Audio Advice Live 2026
Chad Kassem Tells Us What to Expect at The Vinyl Summit
See How the New HumminGuru NOVA RCM Cleans an LP!
Canvas HiFi Unveils Powered 2-Channel Speaker System at Audio Advice Live 2026
KLH Previews the New Model 4 Loudspeaker at Audio Advice Live 2026
KEF Showcases the New LS Luxe Loudspeaker at Audio Advice Live 2026
Paradigm Premieres a Trio of Premier Series Speakers at Audio Advice Live 2026
Bowers & Wilkins Stands Tall at Audio Advice Live 2026
Vibrant HiFi at SouthWest Audio Fest 2026
Pure Audio Project at SouthWest Audio Fest 2026
Dreamscapes A/V at SouthWest Audio Fest 2026

LATEST ADDITIONS

Picture Improves for MP3.com with Pending Licensing Agreement

Widely assumed to be at death's door, streaming-audio site <A HREF="http://www.mp3.com/">MP3.com</A&gt; may be on the rebound after reaching a preliminary agreement October 19 to license more than one million songs from the <A HREF="http://www.nmpa.org/">National Music Publishers' Association, Inc.</A> (NMPA) and the organization's primary subsidiary, the Harry Fox Agency, Inc. (HFA). Individual music publishers represented by the Fox Agency must approve the agreement before it can take effect.

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Added to the Archives This Week

John Atkinson shuffles his feet a little and finally mutters, " . . . Convergence." He laments, "I swore I wasn't going to use the 'C' word, but when you're faced with writing about a product that smashes the boundaries between component categories as completely as the CardDeluxe does, you have little choice." JA reviews the <A HREF="http://www.stereophile.com//digitalsourcereviews/280/">Digital Audio Labs CardDeluxe PC soundcard</A> and answers the pointed question: "But it's only a PC soundcard. What's the big deal?"

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SDMI Evaluating Hundreds of Submitted Hacks

With $60,000 in award money as incentive, the hacker community is helping the <A HREF="http://www.sdmi.org/">Secure Digital Music Initiative</A> find out just how secure six proposed watermarking technologies really are. On October 12, as SDMI representatives were <A HREF="http://www.stereophile.com/news/10870/">testing</A&gt; the audibility of three of the watermarks, the organization announced the closure of a month-long challenge it had offered hackers: break the code. According to the terms of the challenge, each defeated technology will mean $10,000 to a successful hacker.

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Marking Their Territory?

It's easy for us audiophiles to feel neglected. Consider that this year witnesses the debuts of not one, but two new audio formats that should answer the prayers of just about every frustrated audiophile out there: SACD and DVD-Audio. Both approaches represent the state of the art of recording and reproducing music, and finally fulfill for serious listeners the promise that CD teased us with more than 15 years ago.

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Rogue Audio 66LSR preamplifier

It's a reviewer's privilege to be able to switch back and forth between tube and solid-state gear (or combinations thereof) as the mood or the assignment moves him. Still, I find I'm inevitably drawn back to the Epicurean delights of triode tube gear. When done right, there's an alluring musicality to it, like the breath of life. However, in any tube <I>vs</I> solid-state contest, the relative tradeoffs between tone and resolution&mdash;sweetness and articulation, euphony and frequency extension&mdash;must be taken into consideration.

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Added to the Archives This Week

Kalman Rubinson gives a long listen to the 1998 <I>Stereophile</I> Editor's Choice winner, the <A HREF="http://www.stereophile.com//amplificationreviews/278/">Z-Systems rdp-1 digital preamplifier</A>. Like many audiophiles, Kal eschewed tone controls in favor of the purist approach&mdash;until he met the rdp-1. As he puts it: "Now, the time has come for DSP to give the audiophile some powerful tools to tailor frequency response and to correct faults in the recording."

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Will Watermarking Really Work?

Mastering engineer Denny Purcell let out a long sigh. "Does anyone in this room really believe that any of this is going to do any good?" he asked. Of the eight or nine people&mdash;each with decades of experience in the music and/or audio industries&mdash;hanging out at Georgetown Masters Studios in Nashville for SDMI's Phase II listening tests, no one said "Yes." The consensus: The watermarking issue will probably be dead and forgotten within a year.

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